How We Make the Scout Plein Air Box and Original Paintings by Walter Kent
The Scout Plein Air Box was inspired by our endeavor to make art every day. Each one is handmade in our Philadelphia workshop. It compactly secures all of your essential art supplies for painting outdoors. Fill your box with your favorite colors, paintbrushes, and sketchbook. Find your spot and quickly transform the box into a mini studio. Set it on a flat surface or mount it on a tripod, snap the liquid jars, brush holder, and easel in place, clip on your canvas and you are ready to paint. Watch our video showing how we make the Scout Plein Air Box!
Original Plein Air Oil Paintings by Walter Kent
“It has been nearly three years since I returned from a painting workshop in Italy, taught by Jeremy Mann and Nadezda, hosted by Art Escape Italy. This was my first experience plein air painting and once I returned home I immediately made my own pochade box, the Scout. During the last three years I have gone out on many painting adventures, both alone and with my family, with the Scout over my shoulder.
When I wander out into the world to paint, there is a game of tug of war twisting knots in my stomach, with my hopes and fears digging their heals in on either side. After the first few strokes of paint, the excitement of possibility takes over. These attempts at capturing the fleeting moments of the world around me line the windowsills of our studio.
I’ve selected some of my favorite Plein Air oil paintings, breadcrumbs of my path as an artist, and we are excited to share them with the everyone. Each painting has been varnished for protection and is signed and marked with its location and date and is fitted with a ready-to-hang frame made of reclaimed blackened walnut.” –Walter
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Delaware Water Gap No. 3, Pennsylvania 2021
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Kaaterskill Falls, New York 2022
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Ready-to-Hang frames are made of reclaimed blackened walnut.
Suggested Blog Posts
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And here we are, another major transition! We are selling our Philadelphia building and moving Peg and Awl to our barn.
We’re Moving Out of Philadelphia
...and it's bittersweet!We are very fortunate – as a family and small business owners – to be able to follow our curiosities to wherever they may lead. Here we find ourselves in another major transition! We – Walter and I, Søren and Silas too, have decided to sell the Peg and Awl building in Port Richmond Philadelphia, and move our business into our Barn here in Chester County, Penna. It felt like a quick decision, but it was the culmination of much quiet consideration. I have always been spontaneous – or so it seems – so much is accomplished in our sleep.
Yesterday was warm and wondrous. As I walked from Port Richmond to Old City for a last minute hair appointment at Barnet Fair, and to treasure hunt at Vagabond Boutique, I felt the weight of nostalgia for what we would soon be leaving, and a lightness too, as I imagined floating, for the first time in a while, into a new unknown.
Lights off – we were about to leave on Saturday but paused for a quick mirror family photograph! Our barn as seen from the woods! Some Things to Look Forward to in the Coming Year!
- New Website! We’ve been working on it for a long time – we don’t have a launch date yet, but soon!
- New Jewellery! If you’ve been following along on Instagram – you may have seen some glimpses of these projects over the past few years.
- New Of A Kind Adventures! (accompanied by more Flea Market adventures, read here!)
- Exciting Pivots!
We will have a smaller space for to make and to store treasures, which is why we are reducing our catalog to our favourites and yours!
The Foundlings (Peg and Awl) Building: Before and After
Read about the Shop Renovation Project, here!
We’ve put a lot of work into our workshop since we bought the dark and closed-up building in 2016 – from opening cinder-blocked windows and tearing down walls, to transforming the gravel and pavement into gardens. We built and set up a storefront (that we never officially opened) just before the pandemic. We poured concrete floors and filled the wide open space with an abundance of tools and machines and worked with our wonderous crew to design, make, and ship all of the treasures that we share around the world.
We look forward to the next adventure for Peg and Awl and, too, for the building! The dream is always for some magic makers to take the reins and re-imagine a better, brighter, greener, and cleaner corner of Philadelphia.
A lot happens through word of mouth — if you know someone who may be interested, please share!
After
Storefront, trees, plants, and windows!
Before
A lightless old space full of stuff.
After
Employee gardens and honey bees~Before
Concrete slab (though locals told us it was a wading pool in the summers and an ice hockey rink in the winters!)
After
A part of the woodshop!
During
Pouring the concrete floor.
During
Knocking down the in-between wall.
Before 
Renovations and the inhabiting of the nearly abandoned building in Port Richmond, Philadelphia.
The Barn: Our New ShopRead On: Our Barn Restoration Project
We will continue to make treasures in Philadelphia over the next few months. In May, we will be opening our new workspace to the public for a Studio Tour in May! There we will share our art, showroom, and the goings on of the new iteration of Peg and Awl.
This space will be a gallery and showroom.
Walter’s cozy loft studio will remain Walter’s cozy loft studio.
Our Barn Restoration ProjectRead On: Our Barn Restoration Project
“...By the time we had finished removing the rotted bits, the trusses, the rafters, and the floors, it was hard to say if we were reclaiming an old barn, or building a new one in its image. The barn shape – the space within the frame – became one of the few parts I could solidly say remained from the historic place. But over the next few weeks, as I observed the delicate skeleton of the old barn standing strong but precarious in the wind and rain – with day now inside and night inside too – I grew suspicious of this boundaryless thing I wanted to keep. What were we preserving, and more, why?”
The Old Barn from the road. 
Original wall that divides the two parts of the barn. Pearl and Søren, my loves. A new view! We’re Moving Out of Philadelphia, and It’s Bittersweet!
We’re Moving Out of Philadelphia...and it's bittersweet! We are very fortu...
Read The Post -
After many prototypes, countless customer requests, and an endless search for sustainable leather, The Franklin Makers Apron is finally here! Our Apron champions the virtues of hard work, curiosity, ingenuity, and industriousness, and it has quickly become one of our favorite companions while working in the studio or at home.
After many prototypes, countless customer requests, and an endless search for sustainable leather, The Franklin Makers Apron is finally here!
On our first trip to England together, Margaux and I discovered a magical art supply shop on a small cobblestone street. Like something pulled out of Diagon Alley, it was lined with dark oak, floor-to-ceiling shelves overflowing with pigments of all kinds: oil paints, pastels, watercolors, and more. Ladders and spiral staircases led to stacks of dusty boxes each holding the possibilities of masterpieces yet to be made. We spent hours exploring the nooks and crannies, and amongst all the treasures, we discovered two artist aprons, the last from a company no longer in existence. They looked like relics of a bygone era, plucked from the studio of Sargent or Klimt. We left the shop, each with an apron, and though Peg and Awl hadn’t yet begun, the seed to someday make our own version, had been planted.
Our Apron champions the virtues of hard work, curiosity, ingenuity, and industriousness, and has quickly become one of our favorite companions while working in the studio or at home. Its durable canvas armor protects against dirt, paint, liquids and debris, and with multiple waist and chest pockets it provides ample storage so tools are secure and conveniently accessible. The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
The Franklin Maker’s Apron
After many prototypes, countless customer requests, and an endless search fo...
Read The Post -
I am drawn to making jewelry as objects that continually flow through human hands – all symbolism and storytelling and marks of use from imagined pasts and futures. Explore the inspiration behind each of our jewelry collections and the lost wax casting process...
After years of working with local jewelers who cast, finished, and sized our jewels, which was after years of my finishing the jewelry in our dining room, we finally set up our own jewelry shop at the Peg and Awl building! In addition to designing the jewelry and packaging, we now do the entire lost wax casting process in house – making molds, waxes, casting, and finishing!
Jewelry remains a Peg and Awl outlier (we all need outliers!) as it is not useful like our other objects are useful. It is symbolic, representative, adorning, and meant to be part of an ongoing narrative. I am drawn to making jewelry as objects that continually flow through human hands, like objects at a flea market – all symbolism and storytelling and marks of use from imagined pasts and futures.
We love digging into history and happenstance for our collections, and have been working on a few tricky ideas which we hope to be able to share with you soon! Until then, peak inside our workshop and collections.
Rubber molds. Waxes of Foundlings Earrings! 
Flasks for plaster molds. Nitrogen regulator to keep the casting operator oxygen-free! 
Getting ready to cast! Our first in-house silver tree! 
Liver of Sulfer to blacken the details. How to (re)oxidize your jewelry below.* Ready for finishing and polishing. The details will hold onto the black/oxidized finish. 
Polishing the insides of the rings. Stamping the Peg and Awl mark in our rings! 
Finished pendants from our Botanical Collection. Epic Desk Caddy atop my first and still-used jeweler’s bench — a gift from my dad after receiving a high school scholarship for a summer art program at Moore!
Foundlings Collection
Foundlings is a collection that has come to life through the layering of hands that make.
One end-of-winter morning, we ventured out into the last grey of the season-leaving, amongst sagging time-worn tables that house trash and magic. Flea markets are often secret repositories of history, and we were about to dive backwards some 200 years, as sparkly creatures, patiently waiting out their decades of idleness, nearly rose up from their tattered box to greet us. Farm animals, imagined animals, flowers, and other wonders of the natural world – painted by unknown hands in an unknown time, fairly pulsed with scintillating energy upon nests of scritchy, scratchy handwritten ledgers, lessons, and language, impeccably penned by generations past.
Our discovery of these mischievous old fellows has led to yet another transformation. A select few have been carved and cast to retain their child-like style and to celebrate the expressional whimsy of each nurtured creature.
Terran Necklace, a tulip! The original flower ledger art that we discovered at a flea market. 
Adding details to the cat creature Ash from clay for molds. Sculpted cat face models of Foundlings Earrings. 
The original tapir that we named Fern. Fern Earrings cast from the found artwork. 
I love working on the packaging for jewelry, ‘tis where we add the layers of story! Sketching the design for the Foundlings booklet. 
Foundlings packaging in the works. Dip pen on this lavish paper, a little bleedy, a lot magic! 
Foundlings, boxed! The perfect addition of the little jewelry boxes that Walter made from our scrap pile. Final Foundlings packaging, printed locally by Fireball Printing.
All the Names Collection
All the Names incorporates small brass frames from mid-1800s Daguerreotype and Ambrotype hinge cases that once framed faces whose names are forever lost.
In 1847, preservers or brass frames, were added to hinge photograph cases. They wrapped the glass, mat and image to protect the delicate photograph from oxygen. We have taken the cases apart and transformed them into jewelry.
The hinge photograph case that became Eulalie. Silicon mold from brass frames. First step of transformation. 
Silver frame pieces, next rounded and recast into a variety of sizes. Finished! Here is Eulalie, named for Edgar Allan Poe's poem. 
All of the names, with the exception of Beatrice, after my grandmother, have come from characters in books. Creating the faces for the packaging! 
This packaging happened while and because of a class I was taking at the time – a children's book illustration class by Make Art That Sells. A stack of Dorian rings, named for Oscar Wilde's The Picture of Dorian Gray – the first book Walter shared with me when we met!
Poison for Breakfast Collection
I have been lost in a magical world that I can barely believe isn't all in my head. Black and white with lots of exploration and learning. And eggs on repeat. Tis a place I can go when the sun goes down—scribbling, scribbling...
These pieces were made to accompany Poison for Breakfast, written by Lemony Snicket and illustrated by me, Margaux. Pretty sure this was one of the most extraordinary projects I partook in…the reality is coming in and out of focus.
Inspired to continue on, we decided to move the marks on paper into metal pieces for this small collection, which pertains to this enormous philosophical question, "Which came first, the chicken or the egg?"
I love this photograph of Søren. He was so pleased with the final version. Seeing his face made it real-er to me!
My model, Ragnar as a chick, perched on my journal on the kitchen table, where chicks belong. My original drawing. 
Lasered stencils from procreate tracings of my drawings. Shaping clay minis after pulling them out of the stencil! 
Our first in shop mold! Waxes to be built into a tree and cast in silver, gold, and bronze! 
Wax tree prepared for mold making. Chicken + Egg Necklace in our Walnut Jewelry Box.
Botanical Collection
Often times our most wonderful discoveries are merely the recognition of what is before us – and in this case under foot! Our botanical jewelry collection was inspired by our unearthing of the usefulness of weeds and pays homage to its winged cultivator.
*How to (re)oxidize your jewelry!
If you are drawn towards the fully oxidized silver variation on the left, it is easy to do yourself (as we no longer offer this version in our shop) – start with smashing a hard boiled egg in a container. Next put the ring into the container with the egg. Close it and let it sit in the fridge for several hours. Take it out when the darkness suits your fancy — the longer it stays in the sulfur, the more oxidized it will become.
Then polish with a cloth or the ankle part of your jeans — no one will notice the black spot down there...
Seed packet packaging! My journal page from April 2014... 
Dandelion – the entire plant is edible! How many ways can you prepare Dandelion? Botanical rings, pickled after casting. Our Handcrafted Jewelry Process and Collections in our Philadelphia Shop!
After years of working with local jewelers who cast, finished, and sized our...
Read The Post
Suggested Blog Posts
And here we are, another major transition! We are selling our Philadelphia building and moving Peg and Awl to our barn.
We’re Moving Out of Philadelphia
...and it's bittersweet!
We are very fortunate – as a family and small business owners – to be able to follow our curiosities to wherever they may lead. Here we find ourselves in another major transition! We – Walter and I, Søren and Silas too, have decided to sell the Peg and Awl building in Port Richmond Philadelphia, and move our business into our Barn here in Chester County, Penna. It felt like a quick decision, but it was the culmination of much quiet consideration. I have always been spontaneous – or so it seems – so much is accomplished in our sleep.
Yesterday was warm and wondrous. As I walked from Port Richmond to Old City for a last minute hair appointment at Barnet Fair, and to treasure hunt at Vagabond Boutique, I felt the weight of nostalgia for what we would soon be leaving, and a lightness too, as I imagined floating, for the first time in a while, into a new unknown.
|
|
|
Some Things to Look Forward to in the Coming Year!
- New Website! We’ve been working on it for a long time – we don’t have a launch date yet, but soon!
- New Jewellery! If you’ve been following along on Instagram – you may have seen some glimpses of these projects over the past few years.
- New Of A Kind Adventures! (accompanied by more Flea Market adventures, read here!)
- Exciting Pivots!
The Foundlings (Peg and Awl) Building: Before and After
Read about the Shop Renovation Project, here!
We’ve put a lot of work into our workshop since we bought the dark and closed-up building in 2016 – from opening cinder-blocked windows and tearing down walls, to transforming the gravel and pavement into gardens. We built and set up a storefront (that we never officially opened) just before the pandemic. We poured concrete floors and filled the wide open space with an abundance of tools and machines and worked with our wonderous crew to design, make, and ship all of the treasures that we share around the world.
We look forward to the next adventure for Peg and Awl and, too, for the building! The dream is always for some magic makers to take the reins and re-imagine a better, brighter, greener, and cleaner corner of Philadelphia.
A lot happens through word of mouth — if you know someone who may be interested, please share!
|
|
Storefront, trees, plants, and windows! |
A lightless old space full of stuff. |
|
|
Employee gardens and honey bees~ |
Concrete slab (though locals told us it was a wading pool in the summers and an ice hockey rink in the winters!) |
|
|
A part of the woodshop! |
Pouring the concrete floor. |
|
|
Knocking down the in-between wall. |
Renovations and the inhabiting of the nearly abandoned building in Port Richmond, Philadelphia.
The Barn: Our New Shop
Read On: Our Barn Restoration Project
We will continue to make treasures in Philadelphia over the next few months. In May, we will be opening our new workspace to the public for a Studio Tour in May! There we will share our art, showroom, and the goings on of the new iteration of Peg and Awl.
This space will be a gallery and showroom.
Walter’s cozy loft studio will remain Walter’s cozy loft studio.
Our Barn Restoration Project
Read On: Our Barn Restoration Project
“...By the time we had finished removing the rotted bits, the trusses, the rafters, and the floors, it was hard to say if we were reclaiming an old barn, or building a new one in its image. The barn shape – the space within the frame – became one of the few parts I could solidly say remained from the historic place. But over the next few weeks, as I observed the delicate skeleton of the old barn standing strong but precarious in the wind and rain – with day now inside and night inside too – I grew suspicious of this boundaryless thing I wanted to keep. What were we preserving, and more, why?”
|
|
|
|
|
|
|
We’re Moving Out of Philadelphia, and It’s Bittersweet!
We’re Moving Out of Philadelphia...and it's bittersweet! We are very fortu...
Read The Post
After many prototypes, countless customer requests, and an endless search for sustainable leather, The Franklin Makers Apron is finally here! Our Apron champions the virtues of hard work, curiosity, ingenuity, and industriousness, and it has quickly become one of our favorite companions while working in the studio or at home.
After many prototypes, countless customer requests, and an endless search for sustainable leather, The Franklin Makers Apron is finally here!
On our first trip to England together, Margaux and I discovered a magical art supply shop on a small cobblestone street. Like something pulled out of Diagon Alley, it was lined with dark oak, floor-to-ceiling shelves overflowing with pigments of all kinds: oil paints, pastels, watercolors, and more. Ladders and spiral staircases led to stacks of dusty boxes each holding the possibilities of masterpieces yet to be made. We spent hours exploring the nooks and crannies, and amongst all the treasures, we discovered two artist aprons, the last from a company no longer in existence. They looked like relics of a bygone era, plucked from the studio of Sargent or Klimt. We left the shop, each with an apron, and though Peg and Awl hadn’t yet begun, the seed to someday make our own version, had been planted.
Our Apron champions the virtues of hard work, curiosity, ingenuity, and industriousness, and has quickly become one of our favorite companions while working in the studio or at home. Its durable canvas armor protects against dirt, paint, liquids and debris, and with multiple waist and chest pockets it provides ample storage so tools are secure and conveniently accessible. The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
The Franklin Maker’s Apron
After many prototypes, countless customer requests, and an endless search fo...
Read The Post
I am drawn to making jewelry as objects that continually flow through human hands – all symbolism and storytelling and marks of use from imagined pasts and futures. Explore the inspiration behind each of our jewelry collections and the lost wax casting process...
After years of working with local jewelers who cast, finished, and sized our jewels, which was after years of my finishing the jewelry in our dining room, we finally set up our own jewelry shop at the Peg and Awl building! In addition to designing the jewelry and packaging, we now do the entire lost wax casting process in house – making molds, waxes, casting, and finishing!
Jewelry remains a Peg and Awl outlier (we all need outliers!) as it is not useful like our other objects are useful. It is symbolic, representative, adorning, and meant to be part of an ongoing narrative. I am drawn to making jewelry as objects that continually flow through human hands, like objects at a flea market – all symbolism and storytelling and marks of use from imagined pasts and futures.
We love digging into history and happenstance for our collections, and have been working on a few tricky ideas which we hope to be able to share with you soon! Until then, peak inside our workshop and collections.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Foundlings Collection
Foundlings is a collection that has come to life through the layering of hands that make.
One end-of-winter morning, we ventured out into the last grey of the season-leaving, amongst sagging time-worn tables that house trash and magic. Flea markets are often secret repositories of history, and we were about to dive backwards some 200 years, as sparkly creatures, patiently waiting out their decades of idleness, nearly rose up from their tattered box to greet us. Farm animals, imagined animals, flowers, and other wonders of the natural world – painted by unknown hands in an unknown time, fairly pulsed with scintillating energy upon nests of scritchy, scratchy handwritten ledgers, lessons, and language, impeccably penned by generations past.
Our discovery of these mischievous old fellows has led to yet another transformation. A select few have been carved and cast to retain their child-like style and to celebrate the expressional whimsy of each nurtured creature.
|
|
|
|
|
|
|
|
|
|
|
|
All the Names Collection
All the Names incorporates small brass frames from mid-1800s Daguerreotype and Ambrotype hinge cases that once framed faces whose names are forever lost.
In 1847, preservers or brass frames, were added to hinge photograph cases. They wrapped the glass, mat and image to protect the delicate photograph from oxygen. We have taken the cases apart and transformed them into jewelry.
|
|
|
|
|
|
|
|
|
|
Poison for Breakfast Collection
I have been lost in a magical world that I can barely believe isn't all in my head. Black and white with lots of exploration and learning. And eggs on repeat. Tis a place I can go when the sun goes down—scribbling, scribbling...
These pieces were made to accompany Poison for Breakfast, written by Lemony Snicket and illustrated by me, Margaux. Pretty sure this was one of the most extraordinary projects I partook in…the reality is coming in and out of focus.
Inspired to continue on, we decided to move the marks on paper into metal pieces for this small collection, which pertains to this enormous philosophical question, "Which came first, the chicken or the egg?"
I love this photograph of Søren. He was so pleased with the final version. Seeing his face made it real-er to me!
|
|
|
|
|
|
|
|
Botanical Collection
Often times our most wonderful discoveries are merely the recognition of what is before us – and in this case under foot! Our botanical jewelry collection was inspired by our unearthing of the usefulness of weeds and pays homage to its winged cultivator.
|
*How to (re)oxidize your jewelry! If you are drawn towards the fully oxidized silver variation on the left, it is easy to do yourself (as we no longer offer this version in our shop) – start with smashing a hard boiled egg in a container. Next put the ring into the container with the egg. Close it and let it sit in the fridge for several hours. Take it out when the darkness suits your fancy — the longer it stays in the sulfur, the more oxidized it will become. Then polish with a cloth or the ankle part of your jeans — no one will notice the black spot down there... |
|
|
|
|
Our Handcrafted Jewelry Process and Collections in our Philadelphia Shop!
After years of working with local jewelers who cast, finished, and sized our...
Read The Post
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