Materials
We use wood from old-growth trees, which lived for many, many years packed in dense North American forests surrounded by other trees—the denser the forest, the slower the growth, the tighter the grain. The trees were cut down sometime in the early to mid 1800s and turned into homes - homes that, in many cases existed during the Civil War, The Industrial Revolution, The Jazz Age, WWI, The Carolina Tarheels recording Peg and Awl, The Depression Era, WWII, The Space age and were probably beginning to feel heavy from neglect by the time Leonard Cohen began writing Favourite Game. After decades of dereliction, the piles that were once homes to many, and now eyesores to most are treasures to us. We scoop up the forlorn bits and once again offer them a new life. The wood, newly cut, with each ring tightly stacked upon the next, betrays its more recent past life, now riddled with ebonized nail holes or burrowed trails to carpenter bees and other insects' long abandoned homes. From time to time, we find scrap wood at a local ébéniste or pluck it from a storm-broken tree.
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The bits of leather we wrap around our handmade journals are gathered willy-nilly from farms and flea markets and the shoppes of cobblers, cordwainers and upholsterers across the world. Much of the leather has not grazed in a pasture for many decades and some, over a century. Leather straps and handles on our bags are obsolete, military-issue gun slings. Some of which have travelled from country to country in the hands of Americans. And of those well-travelled, many have been oiled and cared for over the years, few have names engraved or drawn within and upon them. Others yet, are dead stock, squirreled away for some war that they didn’t make.
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Our decoupage comes from antique books found wherever treasures are found. We pour through pages and pages piecing together collections that we drool over. We then coordinate each image with the shapes of our blocks and re-print on Epson paper, adhere with PH Neutral bookbinding adhesive and finish with a protective layer of acrylic sealant.
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Our antique fabric comes from 19th-century-ladies’ house dresses, curtains, unfinished quilts, mattress ticking, scraps and feed sacks and grain sacks, found wherever they can be found. Our waxed canvas comes from a local 6th generation company whose roots go back to Philadelphia in the 1800s. Our collection consists of 6 selected colors that are hand dyed and waxed.
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