Specimen Cards + Homeschooling (Free Printable)
The world is bursting with magic, and for anyone looking, it positively pulses. As a family of life-long learners, we felt compelled to share a few of our favourite activities in one compact notebook of removable cards (coming soon!). We are now in our 4th year of officially homeschooling our boys, which means full time of the stuff we did around the edges of their ‘normal’ education at public school.
We love the unknown and the ‘around the edges’ stuff like family bike rides, traveling, and art all day, and have always found places like Kahn Academy and Skillshare, to be grounding companions. With so many students of the world currently homeschooling, or hodge-podge schooling via Zoom and Flipgrid (like we are!), we have decided (thanks Silas!) to unearth this Peg and Awl project have turned it into a free downloadable PDF: Specimen Cards!
Whether embarking on a backyard exploration, a community science project, travelling near or far, or identifying mysterious objects around your house, these cards encourage observation, drawing, writing, and a touch of research. However you use them, we hope they inspire you to always keep an eye out for the little things!
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I am sure my right arm* is stronger for all of the writing and stitching and hauling of pages in journals for so many years of my life. So many miles we’ve traveled together, me and my books. I wonder how many miles of words I’ve written if strung end to end? The first journal that I made was stolen in a café in Amsterdam. What the journal thief couldn’t possibly know was that his actions would set me upon a path.
“Whatever you think you can do or believe you can do, begin it. Action has magic, grace, and power in it.”
–Johann Wolfgang GoetheI am sure my right arm* is stronger for all of the writing and stitching and hauling of pages in journals for so many years of my life. So many miles we’ve traveled together, me and my books. I wonder how many miles of words I’ve written if strung end to end? I've always made books (I have one from when I was 6!), but I began to keep a journal regularly when I was 12 years old, and started making my journals when I was 25. I won’t do the math, but there are a lot of years of books and a lot of years of scribbling between now and then. I was always stitching a book or filling one up.
Hunter S. Thompson invited me into his limo one day, outside of The Strand in NYC. Actually, it wasn’t me he invited in, but my journal—I was holding it. I didn’t know anything about Hunter beyond Fear and Loathing, but I climbed in and sat next to him—shoulder to shoulder. When he asked if he could see the journal, I handed it over. Then he asked if he could write in it. I said yes, of course. He wrote a message in Latin and I don’t remember what else. I never did get to translate it because I went to Amsterdam shortly after the encounter and my bag—with my journal in it—was stolen.
That was the first proper journal I had built. I’ve made hundreds since then. But the first one was stolen in a café in Amsterdam. What the journal thief couldn’t possibly know was that his actions would set me upon a path, for despite my initial despair, I struck out in search of a book bindery. After a day of walking and asking nearly every stranger I could make eye contact with about the shop, I’d finally found it. And what a magical place it was! I stocked up on supplies I’d never known existed then went to an upholstery shop up the street, where I discovered antique leather in a dusty floor corner removed from a chair made in the 1800s! With tools and material from the bindery, I set to work making my second journal, using my thighs as a book press. The result, with its battered old leather, looked like it had travelled through time many hundreds of years, and its pages begged for stories like that of The Journal Thief.
The very objects that started this adventure are a foundational piece of our shop. Putting these Tomes into production was no easy task and after much planning, many trials and many years, we’ve got the process down and have been able to explore with variations in headband, textiles, and leather! I appreciate everyone’s questions and interest in these Monsters!
Hand-stitched headbands adorn each Tome. I use all kinds of medium and make all kinds of marks within my journals! 
Working on sketches for Poison for Breakfast by Lemony Snicket! Harper and Jackson Tome Stack! 
Sign up for our newsletter if you haven’t already!
*since writing this, I've been using my left hand for drawing - beginning with the #100dayproject 2021! I'm still at it, so my left hand is catching up a little.
Handbound Leather Tomes
“Whatever you think you can do or believe you can do, begin it. Action has ...
Read The Post -
We put together a little video so you can make your own book for the #100dayproject! Enjoy, ask questions, and share with us on Instagram so we can see your projects too!
We put together a little video so you can make your own book for the #100dayproject! Enjoy, ask questions, and share with us on Instagram so we can see your projects too!
#qbbc100days
#quarantinebookbindingproject
#pegandawlbindsPlease note: this tutorial is specifically about page count. Click here for the full Bookbinding at Home Tutorial: Stitching a Coverless Journal.
In this video, I’m making two books at a time, both specifically made for the 100 day project. They are both the same size with just a few variations. I find this project to be a really nice reason to get out and observe the world.
These are the two journals, highlighting different colors and vintage textiles! Here you can see a full journal spread dedicated to one day! When you’re making a book for a particular project, it’s really important to consider both paper size and page count of your book. I’m making this book for my 100 day project, so I’m going to consider how many pages I will need for the 100 days. Usually, I like to dedicate a full spread to one day, so I’m going to need double the pages, though in some instances, I’ll use one page per day.
Journal Page Planning
If your 100 day project will consist of one spread per day, then you will need 52 sheets, which is the size of one full page spread open. Once you fold a single sheet in half, it’s called a folio. You'll be putting 4 folios inside of each other and that will make up one signature. You will have a total of 13 signatures. That will give you 202 pages, not counting the front and back cover. The few extra pages can come in handy for notes or whatever you may want to add.If you want to make a book that is dedicating one page to a day, then you will need 27 sheets. You’ll be putting 3 folios inside of each other, and that will make up one signature. You will have a total of 9 signatures. And this will give you 106 pages not counting the front and back cover.
Bookbinding GlossarySheet: The unfolded paper pages that you start your project with
Folio: A folded sheet
Signature: Gathering of folios
Leaf: One half of a folded sheet
Page: Each side of each leaf
Now that I’ve finished folding and tearing my signatures, I’m going to measure out where I want the textiles to be sewn onto the spine of the book. I’m going to start with my quarter inch ends – this is for the end knots.
The end knots form lines along the ends. 
Measuring and marking my linen and thread layout on one signature. Then, marking another signature and putting one in front and one in back of the stack. Usually, I would now put these signatures into a clamp, and use a ruler to connect the front and back markings in a straight line. However, if you don't have a clamp, these double-sided marks will help. In the video, you can see how I use a jeweler saw to make the holes, instead of poking them one at a time (once again, for full instructions: Bookbinding Tutorial - How to Sew a Coverless Journal).
Now I am just going to cut some of this wonderful vintage textile that I found in an abandoned house.
I am making the strips an inch wide so they can really show off the pattern. A lot of you have been asking what kind of thread I am using; this is a 3 ply waxed Irish Linen thread. I have 13 of these signatures, and I’m going to measure 13 lengths of wax thread, slightly larger than the length of the spine. I don’t want a lot of extra thread, because the longer your thread is, especially for a big book like this, the more tangled it’s going to get while you’re sewing. Also, if you cut your thread too short so that you have less to manage, you’re going to have to knot it somewhere in your book, which is not a big deal (but I don't like doing it).
This feedsack textile was in a bundle that I found in my favorite abandoned house that belonged to Flossie and Jack. Step-by-step sewing instructions! I have been incorporating antique materials of all kinds into the work that I do for most of my life. I love the stories that they hold, the character, and the quality of these old things. This fascination is what started me off on incorporating textiles into my journals.
My friend and I found all of Flossie’s dresses in the attic of her abandoned house; we washed them and wore them for years. We saw all the evidence of the patching and the stitching as these were likely from the depression era.
This red feedsack was originally stitched together to make a bag for grain, and then people would use the patterns and the normal cotton feedstock textiles to make clothes; so this was most likely the negative space from the pattern that was cut, and then they used a piece to tie the entire bundle together.
I am using this delightful leftover for my journal.
Just one stack of many vintage textiles we’ve used in our projects. Can you spot the vintage touches in these past sketchbooks? I’ve participated in this challenge for the last few years, as it encourages me to make marks daily. Some of the drawings in these sketchbooks took 5 minutes, others took hours. It doesn’t matter how long I spend with each drawing, just that I sat down to make some marks.
In 2021 I used Noodlers Black Ink (with the catfish on the front) and my left (non-dominant) hand for my 100 Day Project. I loved it so much that I've done it for nearly 300 days out of the year - that is three #100dayproject notebooks and a rather newly-skilled left hand!
A finished project. At my desk, with my Sendak Mini and Beatrix Caddies. 
I've been sharing my drawings on my art/family account on Instagram @thebrotherskent. I also write with my left hand. It was such a different experience from my meandering Morning Pages! Planning a Journal for the 100 Day Project
We put together a little video so you can make your own book for the #100dayp...
Read The Post
Suggested Blog Posts
I am sure my right arm* is stronger for all of the writing and stitching and hauling of pages in journals for so many years of my life. So many miles we’ve traveled together, me and my books. I wonder how many miles of words I’ve written if strung end to end? The first journal that I made was stolen in a café in Amsterdam. What the journal thief couldn’t possibly know was that his actions would set me upon a path.
“Whatever you think you can do or believe you can do, begin it. Action has magic, grace, and power in it.”
–Johann Wolfgang Goethe
I am sure my right arm* is stronger for all of the writing and stitching and hauling of pages in journals for so many years of my life. So many miles we’ve traveled together, me and my books. I wonder how many miles of words I’ve written if strung end to end? I've always made books (I have one from when I was 6!), but I began to keep a journal regularly when I was 12 years old, and started making my journals when I was 25. I won’t do the math, but there are a lot of years of books and a lot of years of scribbling between now and then. I was always stitching a book or filling one up.
Hunter S. Thompson invited me into his limo one day, outside of The Strand in NYC. Actually, it wasn’t me he invited in, but my journal—I was holding it. I didn’t know anything about Hunter beyond Fear and Loathing, but I climbed in and sat next to him—shoulder to shoulder. When he asked if he could see the journal, I handed it over. Then he asked if he could write in it. I said yes, of course. He wrote a message in Latin and I don’t remember what else. I never did get to translate it because I went to Amsterdam shortly after the encounter and my bag—with my journal in it—was stolen.
That was the first proper journal I had built. I’ve made hundreds since then. But the first one was stolen in a café in Amsterdam. What the journal thief couldn’t possibly know was that his actions would set me upon a path, for despite my initial despair, I struck out in search of a book bindery. After a day of walking and asking nearly every stranger I could make eye contact with about the shop, I’d finally found it. And what a magical place it was! I stocked up on supplies I’d never known existed then went to an upholstery shop up the street, where I discovered antique leather in a dusty floor corner removed from a chair made in the 1800s! With tools and material from the bindery, I set to work making my second journal, using my thighs as a book press. The result, with its battered old leather, looked like it had travelled through time many hundreds of years, and its pages begged for stories like that of The Journal Thief.
The very objects that started this adventure are a foundational piece of our shop. Putting these Tomes into production was no easy task and after much planning, many trials and many years, we’ve got the process down and have been able to explore with variations in headband, textiles, and leather! I appreciate everyone’s questions and interest in these Monsters!
|
|
|
|
Sign up for our newsletter if you haven’t already!
*since writing this, I've been using my left hand for drawing - beginning with the #100dayproject 2021! I'm still at it, so my left hand is catching up a little.
Handbound Leather Tomes
“Whatever you think you can do or believe you can do, begin it. Action has ...
Read The Post
We put together a little video so you can make your own book for the #100dayproject! Enjoy, ask questions, and share with us on Instagram so we can see your projects too!
We put together a little video so you can make your own book for the #100dayproject! Enjoy, ask questions, and share with us on Instagram so we can see your projects too!
#qbbc100days
#quarantinebookbindingproject
#pegandawlbinds
Please note: this tutorial is specifically about page count. Click here for the full Bookbinding at Home Tutorial: Stitching a Coverless Journal.
In this video, I’m making two books at a time, both specifically made for the 100 day project. They are both the same size with just a few variations. I find this project to be a really nice reason to get out and observe the world.
|
|
When you’re making a book for a particular project, it’s really important to consider both paper size and page count of your book. I’m making this book for my 100 day project, so I’m going to consider how many pages I will need for the 100 days. Usually, I like to dedicate a full spread to one day, so I’m going to need double the pages, though in some instances, I’ll use one page per day.
Journal Page Planning
If your 100 day project will consist of one spread per day, then you will need 52 sheets, which is the size of one full page spread open. Once you fold a single sheet in half, it’s called a folio. You'll be putting 4 folios inside of each other and that will make up one signature. You will have a total of 13 signatures. That will give you 202 pages, not counting the front and back cover. The few extra pages can come in handy for notes or whatever you may want to add.
If you want to make a book that is dedicating one page to a day, then you will need 27 sheets. You’ll be putting 3 folios inside of each other, and that will make up one signature. You will have a total of 9 signatures. And this will give you 106 pages not counting the front and back cover.
Folio: A folded sheet
Signature: Gathering of folios
Leaf: One half of a folded sheet
Page: Each side of each leaf
Now that I’ve finished folding and tearing my signatures, I’m going to measure out where I want the textiles to be sewn onto the spine of the book. I’m going to start with my quarter inch ends – this is for the end knots.
|
|
|
Usually, I would now put these signatures into a clamp, and use a ruler to connect the front and back markings in a straight line. However, if you don't have a clamp, these double-sided marks will help. In the video, you can see how I use a jeweler saw to make the holes, instead of poking them one at a time (once again, for full instructions: Bookbinding Tutorial - How to Sew a Coverless Journal).
Now I am just going to cut some of this wonderful vintage textile that I found in an abandoned house.
|
|
I have 13 of these signatures, and I’m going to measure 13 lengths of wax thread, slightly larger than the length of the spine. I don’t want a lot of extra thread, because the longer your thread is, especially for a big book like this, the more tangled it’s going to get while you’re sewing. Also, if you cut your thread too short so that you have less to manage, you’re going to have to knot it somewhere in your book, which is not a big deal (but I don't like doing it).
|
|
I have been incorporating antique materials of all kinds into the work that I do for most of my life. I love the stories that they hold, the character, and the quality of these old things. This fascination is what started me off on incorporating textiles into my journals.
My friend and I found all of Flossie’s dresses in the attic of her abandoned house; we washed them and wore them for years. We saw all the evidence of the patching and the stitching as these were likely from the depression era.
This red feedsack was originally stitched together to make a bag for grain, and then people would use the patterns and the normal cotton feedstock textiles to make clothes; so this was most likely the negative space from the pattern that was cut, and then they used a piece to tie the entire bundle together.
I am using this delightful leftover for my journal.
|
|
I’ve participated in this challenge for the last few years, as it encourages me to make marks daily. Some of the drawings in these sketchbooks took 5 minutes, others took hours. It doesn’t matter how long I spend with each drawing, just that I sat down to make some marks.
In 2021 I used Noodlers Black Ink (with the catfish on the front) and my left (non-dominant) hand for my 100 Day Project. I loved it so much that I've done it for nearly 300 days out of the year - that is three #100dayproject notebooks and a rather newly-skilled left hand!
|
|
|
|
Planning a Journal for the 100 Day Project
We put together a little video so you can make your own book for the #100dayp...
Read The Post
Comments
Merrilee
August 14, 2022Thank you for the lovely pdf gift! I teach and I’m going to ask students to incorporate these into notebooks this year!
Charis
February 08, 2021Living in Colorado, I am an avid hiker who loves to pause and sketch. I cannot wait to use these on a hike alpine walk this summer. The templates are beautiful!
Rhonda Roebuck
May 30, 2020Love these! Made some from your templates then made my own. Thank you!!
mary jane dodd
May 09, 2020absolutely wonderful – i will be printing these out. the first almost month of being home was bound in fear, i live in a dense state with many people affected. throughout, nature was always – is always the balm. i am now trying to bloom through the fire. to find ways to serve others, but to nurture at the same time. it is a time for great discovery – and for peeling away. as always – you are appreciated.
Susan Hemann
April 12, 2020How wonderful! Thank you! I have endless lists too but life keeps interfering.
Linda
April 05, 2020Thank you for sharing these lovely cards. I envision these to be a fun project for my granddaughter and I once we are out of social distancing.
Kate
April 05, 2020I love these specimen cards! I envision dragon clouds and hedgehog pine cones on them, along with dragon flies and geckos. Thanks for sharing.
Sandra Gill
April 04, 2020Love these – I admired them on your IG feed and now here they are – thank you so so much !!!! : )
We live in the high desert of Arizona and have so much wild life to record – these cards will be perfect : ) Thank you Silas & Soren (& Margaux & Walter too : )
Blessings, Sandra : )