Bartram Wood Balm
Bartram Wood Balm is a handcrafted balm that will brighten and restore your wooden kitchen pieces! It emerged from a collaboration with Priya Means Love which began as a meeting at a craft show and a swap, in the beginning years of Peg and Awl.
Our enthusiasm for one another’s goods led to this natural balm of beeswax and pure plant oils which restores and preserves our wooden objects as well as nourishes the hands that wield them.
Cloth in hand, use Bartram Wood Balm to brighten up and restore your dull wooden kitchen tools and surfaces such as cutting boards, spoons and spatulas, rolling pins, your great grandma's wooden bowls, and the well-worn surface of your cherished butcher’s block.
Our Bartram Balm is available in both 2 ounce and 4 ounce containers, which are packaged in recycled plastic containers made in the USA.
Ingredients within the Balm:
- Small farm golden beeswax
- Fractionated coconut oil
- Wild-harvested Eastern Hemlock Essential Oil
- Rosemary oleoresin
So, take a soft cloth, scoop some balm, and rub it into anything that needs some brightening—and don't neglect your hands!
We have TWO more collaborations in the works with Priya, that will accompany other goodies we make. We cannot wait to share these with you! Sign up for our newsletter to be notified of any updates.
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In the beginning of September, I (Walter) felt the call of adventure, packed my Scout Plein Air Box and art supplies, a few changes of clothes and set out – this time a little further from home. An early morning Uber drive, two plane rides across the country, and a 4-hour van trip later, I found myself in the high country of Yosemite National Park, with a 50 lb pack on my back accompanied by three fellow adventurers and our guide.
Adventures with the Scout Plein Air Box
In the beginning of September, I (Walter) felt the call of adventure, packed my Scout Plein Air Box and art supplies, a few changes of clothes and set out – this time a little further from home. An early morning Uber drive, two plane rides across the country, and a 4-hour van trip later, I found myself in the high country of Yosemite National Park, with a 50 lb pack on my back accompanied by three fellow adventurers and our guide. We were on a 5-day hike into the wilderness to escape the crowds of people and the endless demands of our busy lives, to camp under millions of stars that illuminated the night sky, to swim in the refreshingly freezing lakes fed by melting snow, to climb Vogelsang Peak, and for me to plein air paint.
Finding a nice spot to paint
Vogelsang is the one on the left
Painting by Fletcher Lake
The sunriseA journal entry during the trip
I saw a bear yesterday! We were sitting drinking coffee and in the distant clearing a bear was moseying up the hill towards the lake. I burst out, “There’s a bear, there’s a bear!” We all jumped up and followed him. For a moment we lost him in the brush and when we got to the lake, he had somehow crossed from the left side of us to the right and he was super close! Preoccupied with breakfast, his head was down in the water. Occasionally he popped up with a mouthful of small fish. Chomping away, he looked around slowly then got back to snacking. When the water hole no longer proved satisfactory to his appetite, he turned away from us and went further into the reeds. We could see the tops of the tall grass shaking and hear the water splashing. He seemed to be having a grand time!
After breakfast we packed our day bags. With a few snacks, a rain jacket, and my paint box, I was ready. We set out through the meadow over a creek and began to climb a winding trail up to Vogelsang Lake. After a quick swim, we continued the trek to Vogelsang Summit. The going was steady but gradually slowed as the path steepened. When we reached the pass, we transitioned into rock scrambling. Loose gravel made for unsteady steps, and I stuck to boulder hopping, avoiding the gravely path as much as possible. On the final ascent we trail blazed through thick low piney brush. We bushwhacked our way up, intermittently discovering a patch of bare rock only to lose it again under the gnarly needled thicket.
The last few feet we had to hoist ourselves up onto rock ledges using the cracks as holds. As we scrambled up the final rock the world opened around us. Below lay a vast array of granite peaks dotted with ice melt lakes. The pine trees stitched each mountain together and the range went on as far as our eyes could see, disappearing into the hazy horizon. We could see Half Dome jutting up from the rest, completely bald, a formidable hunk of granite! We sat up on that razor edge ridge for a while and I attempted to capture the land below with my paints, brushes and canvas. During the descent we stopped at Vogelsang Lake for a late lunch and an invigorating swim before heading back to camp. What a day! How amazing life can be!
Rock scrambling
Painting atop Vogelsang
Leaving Vogelsang Summit
The Bear!
Vogelsang Lake in the distance
First painting of the trip
Right outside my tent
Goodnight!Coming Soon: Postcards and Prints of the Yosemite National Park Plein Air Paintings!
Toulomne Meadows 
Vogelsang Summit 
Fletcher Lake 
The view from my tent The Scout Plein Air Box: A Backstory
The Scout Plein Air Box was inspired by our endeavor to make art every day. Each one is handmade in our West Chester, Pennsylvania workshop. It compactly secures all of your essential art supplies for painting outdoors. Fill your box with your favorite colors, paintbrushes, and sketchbook. Find your spot and quickly transform the box into a mini studio. Set it on a flat surface or mount it on a tripod, snap the liquid jars, brush holder, and easel in place, clip on your canvas and you are ready to paint. Read our earlier blog post for more of the Scout's story, or dig into its features and uses with our video walkthrough!
Painting Yosemite National Park
Adventures with the Scout Plein Air Box In the beginning of Se...
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Our Adventure to Baker Leather!Every adventure we embark upon opens our world and our yearning for more. With that, the things we make broaden too, and how we use them – all is ongoing and interconnected. Everything blooms from everything.
In 2017, we began our search for sustainable leather, starting in the UK. We drove along narrow and winding roads of the countryside, enveloped in greenery. We were greeted and enchanted by the Tannery Cat, who showed us around the 500-year-old tannery nestled along a river. All was luminous in the glowing light – like the light after a storm. The cat paused mid-tour, to devour a headless rabbit that he had hidden under a car for later – now, the later.
He finished supper and we continued our wandering through whitewashed buildings full of old machinery, piles of tanned bellies, well-worn wooden what’s-its, and a large pool of oak bark soup with hides draped in rows for a long soak. Everything is worn and weathered, like the paths along the edges of farmlands; the stiles polished smooth and shiny from centuries of passers-by.
Whilst there, we were able to procure some organic animal hides from local Devonshire farms. These special requests, we were told, bore the marks of the animal’s lives lived outdoors — evidence of small battles, bug-swatting, and fence run-ins — things most people don’t prefer to see in their new leather. But this is all part of the story.
The leather took a long time travelling to Pennsylvania, and when it made it, we held onto it, savouring it for seven years. We have finally transformed it into something new — our Crow’s Feet Journals — made to house new adventures and layers of life’s patina!
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... ... On This Same UK Adventure...
I have a recurring dream in which I am sucked into a body of water with my journal; I flop around in the water – my journal just out of reach. Yesterday, when Søren and Silas’s eyes lit up at the prospect of venturing down the algae-covered steps to the Thames, one would have expected warning signals to ignite my brain, struck with horror from my dream. The warnings came, but not on my behalf. I warned the boys to take the skinny, dry path – to avoid the slippy algae and save themselves from the off color and smell of an unexpected dip in the Thames. They carried on as originally planned, and I proceeded to greedily take photographs and videos of their adventure down the slippy, algae side. Losing my feet from underneath me, I went down fast and uncontrollably!
All I could think of were my dreams, and the journal in my backpack as I flew down. I dug my nails into the green muck, trying to stop my momentum. I could hear Silas screaming, horrified, in the background. Turns out, I pressed record as I fell, my phone capturing the Blair Witch-Like audio that had us all in stitches afterwards. As it goes, spread out like a starfish, I didn’t make it into the Thames that day; I stopped my descent and rose up, green with algae – nails broken and knuckled bloodied, laughing my hearty laugh for the unexpected.
... ...
Our Adventure to Organic Baker Leather
Our Adventure to Baker Leather! Every adventure we embark upon opens our wor...
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Happy New Year!
“Turn it and turn it,
for everything is in it.”
–Ben Bag BagGrowing and flourishing are not always analogous.
Join us for a quick wander through 2023, the year we smallened Peg and Awl, and moved out of Philadelphia. Also the year where we found ourselves finding ourselves again. The ‘smallening’, as I’ve been calling it, is a bit vague. I’m an open book when it comes to most things, and would love to engage in conversation on the topic, but mostly, I know neither where to begin, nor how to distill it. The simplest version is this: Peg and Awl was a thriving small business with twenty-five people at our height, reaching sales numbers we’d never imagined nor planned for. But the joy of having a small business, being curious, and exploring this weird world with family and friends, became secondary as our responsibilities to maintain this monster perpetuated. Somehow growing and flourishing are not always analogous.
And here we are in 2024, returning, already, to what matters most! We’ve ventured south for a little warmth and a lot of biking, I went north for a mini retreat in the snow. We’ve been working on new Peg and Awl treasures, building our barn storefront and workshop, and working on the land.
We cannot wait to share our progress – there are so many stories to tell!
Our 14th Anniversary was January 10th!
Søren and Silas made me a bunch of Specimen Cards of the Five Acre Wood for Christmas! I continue to fill sketchbooks and journals, and am designing some new books and journals that will be available soon! 
One of the most thrilling parts of 2023 was finally launching our long-in-the-works Solvitur Ambulando ring – and with much success! We appreciate all of your shared stories. Thanks to Claire of Warwick Furnace Farm for modeling for me!
We opened up our barn shop which we look forward to stocking with Peg and Awl treasures and more. We are heading to New Orleans for the NAMTA show in March! We made new treasures out of Sendak scraps, and small batch colours, a puzzle of a kind! 
We spent a week on a cargo ship during a storm on the North Sea – there were two visible twisters at one point! By the fourth day a calm settled over the sky, and the water, and the few floating birds, and we jumped into the cold sea. (no showers on board!)
So often I wish to jump back in, to return to the cold depths in that utter post-storm quiet. We went from thinking we’d made a big mistake in booking this trip, to longing to do something like this again – such a harrowing and magical adventure!
Here in Whitby England, where we wandered in the glorious and misty rain. Before the storm and the reality of our upcoming adventure, Walter painted and Søren drew. ps: Walter began to work on a larger Scout! 
We discontinued 3/4 of our catalog – both daunting and freeing! Inevitably, once we sell out, the inquiries start pouring in. We still have some Rogues and Weekenders and more available in our Last Chance! section.
(Here, in Amsterdam on gigantic rented bikes!)
Søren, Silas, Pearl, and I moved our studios back into the cozy Springhouse! We opened our barn for the Chester County open studio tour. Come visit us May 18 and 19! 
We traveled! Here we are, on the other side of our wild cargo boat trip after wandering down the coast of England. We spent a quick couple of days in London!
We cold plunged in Virginia when it was 29 degrees outside and were tingling and spectacularly warm when we climbed out onto the previously cold rock to shake off. Walter bringing flowers over to the barn to brighten the wet and wintry gloom. 
Solviture Ambulando (It is solved by walking)! A Christmas Eve post dinner walk and view of the Peg and Awl Barn from the street.
I started 2024 with a retreat with my friend, Deb, in CT during a snowstorm! Making progress of a kind on a project. I share bits on my Substack and @beingmargauxkent We did a few shows – here we are at Wintherthur, which we shall partake in again in 2024! 
One of our last family photographs in our Philadelphia workshop!
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Everywhere, Astonishments!
I was working on this newsletter at Lentil & Co, and this song came on. It comes and goes as songs do, but this one every time, crawls into that place where only certain songs crawl.
No Hard Feelings by The Avett Brothers
When my body won't hold me anymoreAnd it finally lets me freeWill I be ready?When my feet won't walk another mileAnd my lips give their last kiss goodbyeWill my hands be steady when I lay down my fears, my hopes, and my doubts?The rings on my fingers, and the keys to my houseWith no hard feelings.
This paired well with the essay Who Will Mourn Them When They Are Gone? from Margaret Renkl’s new book, The Comfort of Crows.Also reading Planting in a Post-Wild World which is a really hopeful and process heavy take on regeneration!
Planting in a Post-Wild World The Comfort of Crows Our Year (2024) in Photographs and Words!
Happy New Year!“Turn it and turn it,for everything is in it.”–Ben Bag Bag Gr...
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HOME, AGAIN.
HOME, AGAIN.
A joyous new-place photograph that you’ve seen if you’ve been with us for any amount of time. Every year we promise ourselves a new family portrait, but the year ends and I find myself reaching for this one again.This shall be a kind of public self-nudge!14th Anniversary Pondering, a Power Outage,and a Coffee Shop Pause
Walter and I started Peg and Awl on the 10th of January, 2010. My journal – which was blank – suggests nothing miraculous. Last night’s power outage from yesterday’s deluge means a coffee shop in-between which rouses the unexpected, always. As I walked and wrote in my new journal*, the in-between felt grounding, as each footfall, each letter, and the sun warming despite the cold, settled me.I was thinking that we should share a timeline of Peg and Awl successes, but it occurred to me as I walked, to share bits of the in-between days instead.
Thank you for being here!
As we do our best to plan for this coming year (I am notoriously spontaneous, but appreciate the need for a weaving), I look forward to so much. So here, a little looking forward to 2024:-
Our Shop! We recently opened it up to visitors for a few days with great success – we met so many wonderful people, which reinforces how lucky we are to connect, through Peg and Awl, to such humans. 2024 will see our shop filled with new treasures from us along with treasures made by others. We are heading to NAMTA in New Orleans in March, on the hunt for art materials.
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Journals and Kits and Tutorials! We’ve been working on some unusual new designs and look forward to sharing them.
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Of A Kind Collections (accompanied by more Flea Market adventures)
- New Collaborations, New Colours, and New Found Treasures!
Time Traveling Through the In-Betweens...
2009Before starting Peg and Awl, I had a little slow and steady business called The Black Spot Books. I made journals and jewelry and a gathering of my favourite scraps lead me to make the tiniest books, which I eventually strung together into the Library necklace. Boing Boing featured it, making it my first experience with spiraling, viraling.2010We started out making treasures for our Philadelphia Row Home, including our Tub Caddy out of reclaimed wood and materials gathered from nearby construction sites. At that point, people were thrilled that we were rescuing the materials from them or the deconstruction sites, saving them time and money with trips to the dump.
2011Now with two boys and a business, and needing a diaper bag that wasn’t paislied, flowered, or pre-gendered, we decided to make a bag that would suit all of us. Thus, the first Peg and Awl bag – The Tote – came to life! This may be when we realised we could keep making things first for ourselves, and then for others.
2014The Black Spot Books and the early days of Peg and Awl treasures were mostly comprised of reclaimed and found materials. As our business evolved, we started using new materials for a variety of reasons, primarily as a shortage of reclaimed materials arose. In our first couple years, we decided to officially launch our Of a Kind collections which harkened back to those early days.
2016I went to Spain for Picture Camp, a picture book workshop with my art supplies in various pouches and bags. On the way home, realizing i needed something more conducive to traveling, I started to design an artist roll unlike any artist rolls I could find at the time — one that would hold a variety of art materials, could hold small necessities in a zip pouch, as well as small notebooks. Thus, our most popular treasure to date — The Sendak — was born!
2019Walter, feeling compelled to find his way back to making art as well, went to a painting workshop lead by Jeremy Mann and Nadezda in Tuscany, Italy. On the supply list was a plein air box. Not knowing what this was, Walter ignored it and found himself taping his canvas to his hand to paint. Thus began his developing of the Peg and Awl Scout Plein Air Box!
2023Growing weary of Philadelphia and the business success story of growinggrowinggrowing, we sold our Philadelphia workshop and moved everything to our land in West Chester, rebuilt the dilapidated barn, set up shop, and are now enjoying our new adventure!
2024Journals! I am always eager for change and currently working on new journals*, tutorials, and kits for Peg and Awl. If you’ve been following along, I started this unusual creature a few years ago, and they are nearly ready for take off! This one I made for my friend Deb, using her Pinocchio illustrations on the cover.
Just Yesterday
When the power went out, we found a box of unused Hannukah candles, sunk them into decade old organic black rice and farro, and lit our way through a few rounds of one of our favourite games, reminiscent of The New York Times’ Connections, Code Names! Søren and I started out strong with Roadtrips for 5.
Workspace:
I moved around a lot in 2023 and started this year the same! We’ve already found our way to Savannah, GA and I meandered up to snowy Canaan, CT.
I’ve been moving around The 5 Acre Wood looking for spot that is just right.
Sophie Blackall’s, Milkwood in New York, Photograph by Sophie. Our Cabin in CT, photograph by Deborah Stein. 
A salvaged flat file turned standing desk! A beloved new corner of my studio.
Everywhere, Astonishments!The Flynn Effect and “kids these days...”
I don’t know about you, but I hear a lot of mischief about kids these days and see a lot of memes that don’t make a whole lot of sense to me.
This morning in Turk’s Head Coffee Shop in West Chester, Penna, there was a young person – he must have been 5 – who sat near us and lit up upon seeing a gigantic book of maps on the table and immediately asked “Where is Israel? Where is Japan?” as he navigated the book’s systems. “Mommy, I want to go to Japan.” She considers then realizes he means Japan in the book. Pages turn. “Where is Taiwan. What is this island? Georgian Bay, Ontario. Lake Superior. Where is Minnesota?”
He reads and pronounces places I am still learning, and goes on to explain what makes 75 an interstate.
I could have sat and listened all day, but I had to go fetch my own two creatures, full of wonder, curiosity, and magic. I wanted to leave my name and number, to connect this 5 year old map lover to my 13 and 15 year old map lovers. But maybe they aren’t unusual, these curious young people. Maybe they are everywhere.
Leave us a comment!
–Margaux✨ This Year, We Celebrate 14 Years of Peg and Awl!
HOME, AGAIN. A joyous new-place photograph that you’ve seen if you’ve been w...
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Our Shop! We recently opened it up to visitors for a few days with great success – we met so many wonderful people, which reinforces how lucky we are to connect, through Peg and Awl, to such humans. 2024 will see our shop filled with new treasures from us along with treasures made by others. We are heading to NAMTA in New Orleans in March, on the hunt for art materials.
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Our Barn Shop is Open, Now by Appointment!
Come Visit Our Shop!
Come say hey and pick up a treasure if you are in the area. Email us to make an appointment.
Morning Light! Cozy Corner and Our Bags! 
Vignettes of our Actual Messies!
Walter Hanging Photographs Silas Setting Up Track Lighting 
Walter’s Original Oil Paintings
Scout Pochade Box Handmade Ink! 
Our Bookbinding Kits
Vintage Pencils and Dip Pens! Bioplastic Pans from Poems About You that fit our palettes! 
Of a Kind Book Necklaces Along with Our Classics.
Everywhere, Astonishments!Søren, Silas, and I went to Philosophical Hall in Philadelphia with Katie to hear Catherine McNeur talk about her new book Mischievous Creatures. The title was enough to draw back to the city – and my homeschoolers are up for most adventures. Catherine, Margaretta, and Elizabeth’s stories were full of magic and wonder, local history and mischievous creatures! The erasure of these two women scientists came undone through Catherine's excavation, as one unexpected finding after another revealed their story.
Mischievous Creatures by Catherine McNeur on my desk! Catherine’s Desk Caddy from Peg and Awl, which she’s had for a decade(!), on her desk. Come Visit Our Barn Shop!
Come Visit Our Shop!Come say hey and pick up a treasure if you are in the ar...
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We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
Video Transcript
Hello, everyone! I wanted to give you a little walkthrough of our Sendak Artist Roll. I've been seeing a lot of other people's video walkthroughs and it's been inspiring me to do the same.
Introduction
Here is my very well-loved and very well-used Sendak. This is the first "right one" that we made. We went through a lot of trial and error to get to this, so I want to show you what it has the potential to hold.
Supplies in my Sendak: Scissors and Glue (0:30)I always have glue with me because I do a lot of messy collage work, so I love to glue things and I also have scissors for that same reason. I use small scissors if I'm traveling anywhere where I'm getting on a plane, and I use big scissors if I'm just traveling in a car. Both sizes fit into the Sendak nicely. I tend to put the big scissors on an end, in one of the smaller pockets. The smaller scissors fit anywhere, it just depends what else I have in my Sendak.
The Pencil Pockets (0:55)
One of the most common requests that we get and one of the things that people tend to comment on is that these pencil pockets are too small for fountain pens. While that's true of this Kaweco cap (the bottom fits, the top doesn't), this vintage technical pen is pretty chunky, and I put it in there all the time. I carry two or three. You can see how it kind of draws the Sendak together, so ultimately there's going to be a little bit less room in other pockets. It's making other things more tight, but really, it's fine.
When the Sendak is new, the waxed canvas might be tight to even just fit a pencil, but as you use it, it breaks in and loosens up, and then it doesn't loosen any further – that's where it's going to stay. Once you use it more, you can easily fit two standard pencils or paintbrushes into each slot, so it's really not a too small slot once you break it in.
Supplies in my Sendak: Pencils (1:35)I love these beginners pencils that have really soft lead. I love making marks that are a little less particular than, for example, when I'm using my mechanical pencils (which I also love).
So, these are some of the supplies that I carry every day. I think where the variation comes in, is in which pencils I want, which softness levels, or if I want a water soluble pencil. I'll put the pencils together in this end pocket. It's important to note that the Blackwing fits in. This Blackwing pencil was sharpened once and it makes it a perfect fit. This one was never sharpened, and the eraser is worn down a bit, so it's just above that folding point (the Sendak measures 7.75″ tall at the folding point). The taller one will obviously still work, but I know these are awesome pencils that a lot of people have, so I wanted to show you that.
Supplies in my Sendak: Pens (2:15)
Another thing that I carry are dippy pens. I will put pen nibs into a tin. I love using antique tins to store pen nibs, and in this case, a kneaded eraser. These tins are great for little art supplies, and I just put them into the zipper pocket.
The Zipper Pocket (2:30)
In addition to the vintage tin, I put another regular eraser. When pencils get too small for the pencil pockets, then I'll put them in the zipper pocket. I also have some extra lead for my mechanical pencils, a pencil sharpener, and I often have a whitewash in there as well. You can fit a lot in this zipper pocket.
I like to not overstuff my Sendak so that it folds nicely. I really like it to fold up rather than to roll up, which happens when it is very stuffed.
The Interior Pockets (2:55)
We have 16 pen and pencil slots in the front, and then we have four pockets behind those. So these four are varying widths – you could see the width of the smaller ones that I use for scissors or pencils, which measure 2.5″ wide. The larger two measure 4.25″ wide. I use these two bigger pockets for sketchbooks.
We make these Landscape Orra Sketchbooks in our shop. We designed them to fit into both this Sendak and the Mini Sendak. They can also serve as a tool protector if you need it, for example, if I was putting in a dippy pen whose nib needed protecting, or paint brushes, that would be a great tool protector. We also sell acrylic tool protectors separately if you don't want to carry a Sketchbook or Painter's Palette.
The Iris Painter's Palette is another product that we make. It is for squeezing in tube paints, watercolors, or in this case, making your own paint and filling up these wells with homemade paint. This was made to fit in both the Classic Sendak and the Mini Sendak as well, in these large interior pockets.
I'm going to put my palette here, and these pens in the back here with some small scissors. I want to have another paint brush and then whatever colors I want to bring. Sometimes I get really organized and other times I just put stuff in. You don't have to be crazy overthinking this. It's just really supposed to hold what you need – what you need for the day, what you need for a week, what you need for a trip.
I also often have a bookbinding needle held in the top flap here, and I'll put some bookbinding thread here in the zipper pocket, in case I want to make a book. I'll also prepare by having folded paper here in these exterior pockets.
The Exterior Pockets (4:30)
These two outside pockets otherwise are great for random sized sketchbooks like this – this would have been one of those random ones that I made. I also love this tin. It's for 15 neocolors, but I've had it for years and I move pastels or other more delicate stuff into here that I don't want to crumble in the pen pockets. It's a really nice fit for these back pockets.
This is our Orra Portrait Sketchbook, which we made to fit into the Classic Sendak. We have three sizes of these sketchbooks – the Portrait, the Large Portrait, and the Landscape.
Closing the Sendak (5:00)
So when I fold up the Sendak – this one is pretty full with everything that I just stuffed into the outside pockets – but when I fold it up, I will hold everything down and pull down this top flap so that it folds nicely. Then I roll in the sides, starting with the zipper pocket, so that all the parts of my Sendak are where they should be. Then I just synch it closed with the leather strap and buckle.
I'd say this is pretty full – I have stuff in every pocket. In some instances, I have more than one thing in a pocket. There's still a lot of room on this leather strap. So that's it! This will fit nicely into my bag, and I've got what I need for a long time.
The Buckle Closure
Another question that we've had is about this buckle. This comes from a gun sling from maybe the forties, and it was intended to function exactly as we use it. We found that it just really holds the Sendak together nicely, and of course, we love incorporating old bits wherever we can, into whatever we make.
So there you have it! My Sendak, lovingly worn in and full of life.
Mentioned in this video:
From Our Shop:- The Classic Sendak Artist Roll
- The Sendak Mini Artist Roll
- Iris Painter’s Palette
- Landscape Orra Sketchbook
- Portrait Orra Sketchbook
- Acrylic Tool Protects (Out of Stock)
From Other Shops:- Blackwing Pencils
- Kaweco Pens
- Neocolor
- Vintage art supplies (dippy Pens, technical pens, tins) are from flea markets and sometimes eBay!
Related Blog Posts:
The Sendak Artist Roll: A Walkthrough Video
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you...
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Watch the instructions on how to adjust and secure the leather straps on The Franklin Maker’s Apron. The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
Watch the instructions on how to adjust and secure the leather straps on The Franklin Maker’s Apron.
The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
How to Adjust the Straps on The Franklin Maker’s Apron
Watch the instructions on how to adjust and secure the leather straps on The ...
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One of the key steps to speed up the breaking in process of leather is to simply twist and roll the leather in your fingers. As you use your bag the leather will naturally soften and become much easier to maneuver. Whether you help it out, or simply use your bag, the breaking in process does not take long!!
*What is Vegetable Tanned Leather? Vegetable tanning is a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark.
Our bags are made with full-grain vegetable-tanned leather*, which is a durable leather that develops a lovely patina over time with continued use. It is thicker than conventional, chrome-tanned leather, which also lends it to be more stiff in the beginning. This video shows how to quickly soften the leather, as well as the proper steps for detaching and attaching the leather shoulder strap and front closure on our Peg and Awl bags.
One of the key steps to speed up the breaking in process of leather is to simply twist and roll the leather in your fingers. As you use your bag the leather will naturally soften and become much easier to maneuver. Whether you help it out, or simply use your bag, the breaking in process does not take long!!
*What is Vegetable Tanned Leather? Vegetable tanning is a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark.
Step 1: Detaching the Strap
*The leather is the most stiff when it is new. As you use it and work with it, it will soften.- Hold the button stud and pull the leather strap to bring the button stud into the leather slot.
- Firmly and slowly work the leather over the button stud. Take your time working with the leather as it softens.
Step 2: Attaching the Shoulder Strap-
Twist and roll the strap to soften the leather. It does not take long to break in.
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Press the leather slot over the button stud. Hold the stud and pull the leather strap to bring the stud into the hole.
Our Leather!
Our first bag – The Waxed Canvas Tote – which we finished with reclaimed military leather slings found at a flea market. Dusty and dull with years of neglect, the leather was unassuming. But with some hot soapy water, perseverance, and beeswax balm, we removed the layers to find stories told through the markings of days past. We were delighted! The usefulness of the leather sent us on a mission to scour flea markets and military shows for as many old slings as we could find. For years we used these relics to finish our bags – until there were no more to be found.
And so, a new mission was soon underway: the search for the right new leather. We began in the UK driving along long and winding roads through the English countryside to visit J&FJ Baker, a 500-year-old tannery. This experience and many subsequent conversations enriched our understanding of a leather world we had known nothing about.
While shipping leather from the UK turned out to be impractical, we left enlightened with the knowledge that there do exist a few companies who produce leather in a sustainable and responsible way. When we returned to America we found Wickett & Craig – only a stone’s throw from our shop in Philadelphia. Their vegetable tanning process is a slow, natural, and eco-friendly process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark. This durable leather breaks in and gathers a gorgeous patina, bearing the marks of the users’ (and makers’) adventures – the very thing we’ve always celebrated! We’ve been using this leather for three years now and love it!
With the transition from using reclaimed WWII era gun straps for our leather handles to using locally-sourced vegetable-tanned leather, we are reaffirming the fellowship between ourselves and the materials with which we make. By creating beautiful and useful objects out of sustainable and responsibly sourced materials, we strive to change the way that we as individuals make, use, repair and reuse everyday objects. As our new bags leave our Philadelphia workshop and arrive at your doorsteps, what adventures will they see in your hands and how will they transform to become truly yours?
Vegetable tanned leather is made with a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark. The more you use your bags and journals, the softer the leather will become. 
This durable leather breaks in and gathers a gorgeous patina, bearing the marks of the users’ (and makers’) adventures! Here, you can see the leather on Walter's Tote and Scout. As you use your bag the leather will naturally soften and become much easier to maneuver. 
We took out Hunter's out on an Amethyst dig! they got pretty dirty, so we turned the bags inside out, tapped out the dirt and wiped the inside with a sponge and put them in the sun to dry. Our Finch is my favourite bag - I carry mine nearly everyday. It holds my books, journal, water bottle, and other bits comfortably. Adjusting the Leather Straps on our Waxed Canvas Bags
Our bags are made with full-grain vegetable-tanned leather*, which is a dura...
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In the beginning of September, I (Walter) felt the call of adventure, packed my Scout Plein Air Box and art supplies, a few changes of clothes and set out – this time a little further from home. An early morning Uber drive, two plane rides across the country, and a 4-hour van trip later, I found myself in the high country of Yosemite National Park, with a 50 lb pack on my back accompanied by three fellow adventurers and our guide.
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Adventures with the Scout Plein Air Box
In the beginning of September, I (Walter) felt the call of adventure, packed my Scout Plein Air Box and art supplies, a few changes of clothes and set out – this time a little further from home. An early morning Uber drive, two plane rides across the country, and a 4-hour van trip later, I found myself in the high country of Yosemite National Park, with a 50 lb pack on my back accompanied by three fellow adventurers and our guide. We were on a 5-day hike into the wilderness to escape the crowds of people and the endless demands of our busy lives, to camp under millions of stars that illuminated the night sky, to swim in the refreshingly freezing lakes fed by melting snow, to climb Vogelsang Peak, and for me to plein air paint.
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Finding a nice spot to paint |
Vogelsang is the one on the left |
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Painting by Fletcher Lake
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The sunrise
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A journal entry during the trip
I saw a bear yesterday! We were sitting drinking coffee and in the distant clearing a bear was moseying up the hill towards the lake. I burst out, “There’s a bear, there’s a bear!” We all jumped up and followed him. For a moment we lost him in the brush and when we got to the lake, he had somehow crossed from the left side of us to the right and he was super close! Preoccupied with breakfast, his head was down in the water. Occasionally he popped up with a mouthful of small fish. Chomping away, he looked around slowly then got back to snacking. When the water hole no longer proved satisfactory to his appetite, he turned away from us and went further into the reeds. We could see the tops of the tall grass shaking and hear the water splashing. He seemed to be having a grand time!
After breakfast we packed our day bags. With a few snacks, a rain jacket, and my paint box, I was ready. We set out through the meadow over a creek and began to climb a winding trail up to Vogelsang Lake. After a quick swim, we continued the trek to Vogelsang Summit. The going was steady but gradually slowed as the path steepened. When we reached the pass, we transitioned into rock scrambling. Loose gravel made for unsteady steps, and I stuck to boulder hopping, avoiding the gravely path as much as possible. On the final ascent we trail blazed through thick low piney brush. We bushwhacked our way up, intermittently discovering a patch of bare rock only to lose it again under the gnarly needled thicket.
The last few feet we had to hoist ourselves up onto rock ledges using the cracks as holds. As we scrambled up the final rock the world opened around us. Below lay a vast array of granite peaks dotted with ice melt lakes. The pine trees stitched each mountain together and the range went on as far as our eyes could see, disappearing into the hazy horizon. We could see Half Dome jutting up from the rest, completely bald, a formidable hunk of granite! We sat up on that razor edge ridge for a while and I attempted to capture the land below with my paints, brushes and canvas. During the descent we stopped at Vogelsang Lake for a late lunch and an invigorating swim before heading back to camp. What a day! How amazing life can be!
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Rock scrambling |
Painting atop Vogelsang |
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Leaving Vogelsang Summit |
The Bear! |
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Vogelsang Lake in the distance |
First painting of the trip |
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Right outside my tent |
Goodnight! |
Coming Soon: Postcards and Prints of the Yosemite National Park Plein Air Paintings!
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The Scout Plein Air Box: A Backstory
The Scout Plein Air Box was inspired by our endeavor to make art every day. Each one is handmade in our West Chester, Pennsylvania workshop. It compactly secures all of your essential art supplies for painting outdoors. Fill your box with your favorite colors, paintbrushes, and sketchbook. Find your spot and quickly transform the box into a mini studio. Set it on a flat surface or mount it on a tripod, snap the liquid jars, brush holder, and easel in place, clip on your canvas and you are ready to paint. Read our earlier blog post for more of the Scout's story, or dig into its features and uses with our video walkthrough!
Painting Yosemite National Park
Adventures with the Scout Plein Air Box In the beginning of Se...
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Every adventure we embark upon opens our world and our yearning for more. With that, the things we make broaden too, and how we use them – all is ongoing and interconnected. Everything blooms from everything.
In 2017, we began our search for sustainable leather, starting in the UK. We drove along narrow and winding roads of the countryside, enveloped in greenery. We were greeted and enchanted by the Tannery Cat, who showed us around the 500-year-old tannery nestled along a river. All was luminous in the glowing light – like the light after a storm. The cat paused mid-tour, to devour a headless rabbit that he had hidden under a car for later – now, the later.
He finished supper and we continued our wandering through whitewashed buildings full of old machinery, piles of tanned bellies, well-worn wooden what’s-its, and a large pool of oak bark soup with hides draped in rows for a long soak. Everything is worn and weathered, like the paths along the edges of farmlands; the stiles polished smooth and shiny from centuries of passers-by.
Whilst there, we were able to procure some organic animal hides from local Devonshire farms. These special requests, we were told, bore the marks of the animal’s lives lived outdoors — evidence of small battles, bug-swatting, and fence run-ins — things most people don’t prefer to see in their new leather. But this is all part of the story.
The leather took a long time travelling to Pennsylvania, and when it made it, we held onto it, savouring it for seven years. We have finally transformed it into something new — our Crow’s Feet Journals — made to house new adventures and layers of life’s patina!
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On This Same UK Adventure...
I have a recurring dream in which I am sucked into a body of water with my journal; I flop around in the water – my journal just out of reach. Yesterday, when Søren and Silas’s eyes lit up at the prospect of venturing down the algae-covered steps to the Thames, one would have expected warning signals to ignite my brain, struck with horror from my dream. The warnings came, but not on my behalf. I warned the boys to take the skinny, dry path – to avoid the slippy algae and save themselves from the off color and smell of an unexpected dip in the Thames. They carried on as originally planned, and I proceeded to greedily take photographs and videos of their adventure down the slippy, algae side. Losing my feet from underneath me, I went down fast and uncontrollably!
All I could think of were my dreams, and the journal in my backpack as I flew down. I dug my nails into the green muck, trying to stop my momentum. I could hear Silas screaming, horrified, in the background. Turns out, I pressed record as I fell, my phone capturing the Blair Witch-Like audio that had us all in stitches afterwards. As it goes, spread out like a starfish, I didn’t make it into the Thames that day; I stopped my descent and rose up, green with algae – nails broken and knuckled bloodied, laughing my hearty laugh for the unexpected.
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Our Adventure to Organic Baker Leather
Our Adventure to Baker Leather! Every adventure we embark upon opens our wor...
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Happy New Year!
“Turn it and turn it,
for everything is in it.”
–Ben Bag Bag
Growing and flourishing are not always analogous.
Join us for a quick wander through 2023, the year we smallened Peg and Awl, and moved out of Philadelphia. Also the year where we found ourselves finding ourselves again. The ‘smallening’, as I’ve been calling it, is a bit vague. I’m an open book when it comes to most things, and would love to engage in conversation on the topic, but mostly, I know neither where to begin, nor how to distill it. The simplest version is this: Peg and Awl was a thriving small business with twenty-five people at our height, reaching sales numbers we’d never imagined nor planned for. But the joy of having a small business, being curious, and exploring this weird world with family and friends, became secondary as our responsibilities to maintain this monster perpetuated. Somehow growing and flourishing are not always analogous.
And here we are in 2024, returning, already, to what matters most! We’ve ventured south for a little warmth and a lot of biking, I went north for a mini retreat in the snow. We’ve been working on new Peg and Awl treasures, building our barn storefront and workshop, and working on the land.
We cannot wait to share our progress – there are so many stories to tell!
Our 14th Anniversary was January 10th!
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One of the most thrilling parts of 2023 was finally launching our long-in-the-works Solvitur Ambulando ring – and with much success! We appreciate all of your shared stories. Thanks to Claire of Warwick Furnace Farm for modeling for me!
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We spent a week on a cargo ship during a storm on the North Sea – there were two visible twisters at one point! By the fourth day a calm settled over the sky, and the water, and the few floating birds, and we jumped into the cold sea. (no showers on board!)
So often I wish to jump back in, to return to the cold depths in that utter post-storm quiet. We went from thinking we’d made a big mistake in booking this trip, to longing to do something like this again – such a harrowing and magical adventure!
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We discontinued 3/4 of our catalog – both daunting and freeing! Inevitably, once we sell out, the inquiries start pouring in. We still have some Rogues and Weekenders and more available in our Last Chance! section.
(Here, in Amsterdam on gigantic rented bikes!)
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We traveled! Here we are, on the other side of our wild cargo boat trip after wandering down the coast of England. We spent a quick couple of days in London!
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Solviture Ambulando (It is solved by walking)! A Christmas Eve post dinner walk and view of the Peg and Awl Barn from the street.
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One of our last family photographs in our Philadelphia workshop!
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Everywhere, Astonishments!
I was working on this newsletter at Lentil & Co, and this song came on. It comes and goes as songs do, but this one every time, crawls into that place where only certain songs crawl.
No Hard Feelings by The Avett Brothers
This paired well with the essay Who Will Mourn Them When They Are Gone? from Margaret Renkl’s new book, The Comfort of Crows.
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Our Year (2024) in Photographs and Words!
Happy New Year!“Turn it and turn it,for everything is in it.”–Ben Bag Bag Gr...
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HOME, AGAIN.
HOME, AGAIN.
Walter and I started Peg and Awl on the 10th of January, 2010. My journal – which was blank – suggests nothing miraculous. Last night’s power outage from yesterday’s deluge means a coffee shop in-between which rouses the unexpected, always. As I walked and wrote in my new journal*, the in-between felt grounding, as each footfall, each letter, and the sun warming despite the cold, settled me.
I was thinking that we should share a timeline of Peg and Awl successes, but it occurred to me as I walked, to share bits of the in-between days instead.
Thank you for being here!
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Our Shop! We recently opened it up to visitors for a few days with great success – we met so many wonderful people, which reinforces how lucky we are to connect, through Peg and Awl, to such humans. 2024 will see our shop filled with new treasures from us along with treasures made by others. We are heading to NAMTA in New Orleans in March, on the hunt for art materials.
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Journals and Kits and Tutorials! We’ve been working on some unusual new designs and look forward to sharing them.
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Of A Kind Collections (accompanied by more Flea Market adventures)
- New Collaborations, New Colours, and New Found Treasures!
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2010
We started out making treasures for our Philadelphia Row Home, including our Tub Caddy out of reclaimed wood and materials gathered from nearby construction sites. At that point, people were thrilled that we were rescuing the materials from them or the deconstruction sites, saving them time and money with trips to the dump.
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2011
Now with two boys and a business, and needing a diaper bag that wasn’t paislied, flowered, or pre-gendered, we decided to make a bag that would suit all of us. Thus, the first Peg and Awl bag – The Tote – came to life! This may be when we realised we could keep making things first for ourselves, and then for others. |
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2016
I went to Spain for Picture Camp, a picture book workshop with my art supplies in various pouches and bags. On the way home, realizing i needed something more conducive to traveling, I started to design an artist roll unlike any artist rolls I could find at the time — one that would hold a variety of art materials, could hold small necessities in a zip pouch, as well as small notebooks. Thus, our most popular treasure to date — The Sendak — was born! |
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2023
Growing weary of Philadelphia and the business success story of growinggrowinggrowing, we sold our Philadelphia workshop and moved everything to our land in West Chester, rebuilt the dilapidated barn, set up shop, and are now enjoying our new adventure! |
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2024
Journals! I am always eager for change and currently working on new journals*, tutorials, and kits for Peg and Awl. If you’ve been following along, I started this unusual creature a few years ago, and they are nearly ready for take off! This one I made for my friend Deb, using her Pinocchio illustrations on the cover.
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Just Yesterday
When the power went out, we found a box of unused Hannukah candles, sunk them into decade old organic black rice and farro, and lit our way through a few rounds of one of our favourite games, reminiscent of The New York Times’ Connections, Code Names! Søren and I started out strong with Roadtrips for 5.
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Workspace:
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A salvaged flat file turned standing desk! A beloved new corner of my studio.
Everywhere, Astonishments!
The Flynn Effect and “kids these days...”
I don’t know about you, but I hear a lot of mischief about kids these days and see a lot of memes that don’t make a whole lot of sense to me.
This morning in Turk’s Head Coffee Shop in West Chester, Penna, there was a young person – he must have been 5 – who sat near us and lit up upon seeing a gigantic book of maps on the table and immediately asked “Where is Israel? Where is Japan?” as he navigated the book’s systems. “Mommy, I want to go to Japan.” She considers then realizes he means Japan in the book. Pages turn. “Where is Taiwan. What is this island? Georgian Bay, Ontario. Lake Superior. Where is Minnesota?”
He reads and pronounces places I am still learning, and goes on to explain what makes 75 an interstate.
I could have sat and listened all day, but I had to go fetch my own two creatures, full of wonder, curiosity, and magic. I wanted to leave my name and number, to connect this 5 year old map lover to my 13 and 15 year old map lovers. But maybe they aren’t unusual, these curious young people. Maybe they are everywhere.
Leave us a comment!
–Margaux
✨ This Year, We Celebrate 14 Years of Peg and Awl!
HOME, AGAIN. A joyous new-place photograph that you’ve seen if you’ve been w...
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Our Barn Shop is Open, Now by Appointment!
Come Visit Our Shop!
Come say hey and pick up a treasure if you are in the area. Email us to make an appointment.
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Vignettes of our Actual Messies!
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Walter’s Original Oil Paintings
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Our Bookbinding Kits
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Of a Kind Book Necklaces Along with Our Classics.
Everywhere, Astonishments!
Søren, Silas, and I went to Philosophical Hall in Philadelphia with Katie to hear Catherine McNeur talk about her new book Mischievous Creatures. The title was enough to draw back to the city – and my homeschoolers are up for most adventures. Catherine, Margaretta, and Elizabeth’s stories were full of magic and wonder, local history and mischievous creatures! The erasure of these two women scientists came undone through Catherine's excavation, as one unexpected finding after another revealed their story.
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Come Visit Our Barn Shop!
Come Visit Our Shop!Come say hey and pick up a treasure if you are in the ar...
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We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
Video Transcript
Hello, everyone! I wanted to give you a little walkthrough of our Sendak Artist Roll. I've been seeing a lot of other people's video walkthroughs and it's been inspiring me to do the same.
Introduction
Here is my very well-loved and very well-used Sendak. This is the first "right one" that we made. We went through a lot of trial and error to get to this, so I want to show you what it has the potential to hold.
Supplies in my Sendak: Scissors and Glue (0:30)
I always have glue with me because I do a lot of messy collage work, so I love to glue things and I also have scissors for that same reason. I use small scissors if I'm traveling anywhere where I'm getting on a plane, and I use big scissors if I'm just traveling in a car. Both sizes fit into the Sendak nicely. I tend to put the big scissors on an end, in one of the smaller pockets. The smaller scissors fit anywhere, it just depends what else I have in my Sendak.
The Pencil Pockets (0:55)
One of the most common requests that we get and one of the things that people tend to comment on is that these pencil pockets are too small for fountain pens. While that's true of this Kaweco cap (the bottom fits, the top doesn't), this vintage technical pen is pretty chunky, and I put it in there all the time. I carry two or three. You can see how it kind of draws the Sendak together, so ultimately there's going to be a little bit less room in other pockets. It's making other things more tight, but really, it's fine.
When the Sendak is new, the waxed canvas might be tight to even just fit a pencil, but as you use it, it breaks in and loosens up, and then it doesn't loosen any further – that's where it's going to stay. Once you use it more, you can easily fit two standard pencils or paintbrushes into each slot, so it's really not a too small slot once you break it in.
Supplies in my Sendak: Pencils (1:35)
I love these beginners pencils that have really soft lead. I love making marks that are a little less particular than, for example, when I'm using my mechanical pencils (which I also love).
So, these are some of the supplies that I carry every day. I think where the variation comes in, is in which pencils I want, which softness levels, or if I want a water soluble pencil. I'll put the pencils together in this end pocket. It's important to note that the Blackwing fits in. This Blackwing pencil was sharpened once and it makes it a perfect fit. This one was never sharpened, and the eraser is worn down a bit, so it's just above that folding point (the Sendak measures 7.75″ tall at the folding point). The taller one will obviously still work, but I know these are awesome pencils that a lot of people have, so I wanted to show you that.
Supplies in my Sendak: Pens (2:15)
Another thing that I carry are dippy pens. I will put pen nibs into a tin. I love using antique tins to store pen nibs, and in this case, a kneaded eraser. These tins are great for little art supplies, and I just put them into the zipper pocket.
The Zipper Pocket (2:30)
In addition to the vintage tin, I put another regular eraser. When pencils get too small for the pencil pockets, then I'll put them in the zipper pocket. I also have some extra lead for my mechanical pencils, a pencil sharpener, and I often have a whitewash in there as well. You can fit a lot in this zipper pocket.
I like to not overstuff my Sendak so that it folds nicely. I really like it to fold up rather than to roll up, which happens when it is very stuffed.
The Interior Pockets (2:55)
We have 16 pen and pencil slots in the front, and then we have four pockets behind those. So these four are varying widths – you could see the width of the smaller ones that I use for scissors or pencils, which measure 2.5″ wide. The larger two measure 4.25″ wide. I use these two bigger pockets for sketchbooks.
We make these Landscape Orra Sketchbooks in our shop. We designed them to fit into both this Sendak and the Mini Sendak. They can also serve as a tool protector if you need it, for example, if I was putting in a dippy pen whose nib needed protecting, or paint brushes, that would be a great tool protector. We also sell acrylic tool protectors separately if you don't want to carry a Sketchbook or Painter's Palette.
The Iris Painter's Palette is another product that we make. It is for squeezing in tube paints, watercolors, or in this case, making your own paint and filling up these wells with homemade paint. This was made to fit in both the Classic Sendak and the Mini Sendak as well, in these large interior pockets.
I'm going to put my palette here, and these pens in the back here with some small scissors. I want to have another paint brush and then whatever colors I want to bring. Sometimes I get really organized and other times I just put stuff in. You don't have to be crazy overthinking this. It's just really supposed to hold what you need – what you need for the day, what you need for a week, what you need for a trip.
I also often have a bookbinding needle held in the top flap here, and I'll put some bookbinding thread here in the zipper pocket, in case I want to make a book. I'll also prepare by having folded paper here in these exterior pockets.
The Exterior Pockets (4:30)
These two outside pockets otherwise are great for random sized sketchbooks like this – this would have been one of those random ones that I made. I also love this tin. It's for 15 neocolors, but I've had it for years and I move pastels or other more delicate stuff into here that I don't want to crumble in the pen pockets. It's a really nice fit for these back pockets.
This is our Orra Portrait Sketchbook, which we made to fit into the Classic Sendak. We have three sizes of these sketchbooks – the Portrait, the Large Portrait, and the Landscape.
Closing the Sendak (5:00)
So when I fold up the Sendak – this one is pretty full with everything that I just stuffed into the outside pockets – but when I fold it up, I will hold everything down and pull down this top flap so that it folds nicely. Then I roll in the sides, starting with the zipper pocket, so that all the parts of my Sendak are where they should be. Then I just synch it closed with the leather strap and buckle.
I'd say this is pretty full – I have stuff in every pocket. In some instances, I have more than one thing in a pocket. There's still a lot of room on this leather strap. So that's it! This will fit nicely into my bag, and I've got what I need for a long time.
The Buckle Closure
Another question that we've had is about this buckle. This comes from a gun sling from maybe the forties, and it was intended to function exactly as we use it. We found that it just really holds the Sendak together nicely, and of course, we love incorporating old bits wherever we can, into whatever we make.
So there you have it! My Sendak, lovingly worn in and full of life.
Mentioned in this video:
From Our Shop:
- The Classic Sendak Artist Roll
- The Sendak Mini Artist Roll
- Iris Painter’s Palette
- Landscape Orra Sketchbook
- Portrait Orra Sketchbook
- Acrylic Tool Protects (Out of Stock)
- Blackwing Pencils
- Kaweco Pens
- Neocolor
- Vintage art supplies (dippy Pens, technical pens, tins) are from flea markets and sometimes eBay!
Related Blog Posts:
The Sendak Artist Roll: A Walkthrough Video
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you...
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Watch the instructions on how to adjust and secure the leather straps on The Franklin Maker’s Apron. The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
Watch the instructions on how to adjust and secure the leather straps on The Franklin Maker’s Apron.
The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
How to Adjust the Straps on The Franklin Maker’s Apron
Watch the instructions on how to adjust and secure the leather straps on The ...
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One of the key steps to speed up the breaking in process of leather is to simply twist and roll the leather in your fingers. As you use your bag the leather will naturally soften and become much easier to maneuver. Whether you help it out, or simply use your bag, the breaking in process does not take long!!
*What is Vegetable Tanned Leather? Vegetable tanning is a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark.
Our bags are made with full-grain vegetable-tanned leather*, which is a durable leather that develops a lovely patina over time with continued use. It is thicker than conventional, chrome-tanned leather, which also lends it to be more stiff in the beginning. This video shows how to quickly soften the leather, as well as the proper steps for detaching and attaching the leather shoulder strap and front closure on our Peg and Awl bags.
One of the key steps to speed up the breaking in process of leather is to simply twist and roll the leather in your fingers. As you use your bag the leather will naturally soften and become much easier to maneuver. Whether you help it out, or simply use your bag, the breaking in process does not take long!!
*What is Vegetable Tanned Leather? Vegetable tanning is a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark.
*The leather is the most stiff when it is new. As you use it and work with it, it will soften.
- Hold the button stud and pull the leather strap to bring the button stud into the leather slot.
- Firmly and slowly work the leather over the button stud. Take your time working with the leather as it softens.
Step 2: Attaching the Shoulder Strap
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Twist and roll the strap to soften the leather. It does not take long to break in.
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Press the leather slot over the button stud. Hold the stud and pull the leather strap to bring the stud into the hole.
Our Leather!
Our first bag – The Waxed Canvas Tote – which we finished with reclaimed military leather slings found at a flea market. Dusty and dull with years of neglect, the leather was unassuming. But with some hot soapy water, perseverance, and beeswax balm, we removed the layers to find stories told through the markings of days past. We were delighted! The usefulness of the leather sent us on a mission to scour flea markets and military shows for as many old slings as we could find. For years we used these relics to finish our bags – until there were no more to be found.
And so, a new mission was soon underway: the search for the right new leather. We began in the UK driving along long and winding roads through the English countryside to visit J&FJ Baker, a 500-year-old tannery. This experience and many subsequent conversations enriched our understanding of a leather world we had known nothing about.
While shipping leather from the UK turned out to be impractical, we left enlightened with the knowledge that there do exist a few companies who produce leather in a sustainable and responsible way. When we returned to America we found Wickett & Craig – only a stone’s throw from our shop in Philadelphia. Their vegetable tanning process is a slow, natural, and eco-friendly process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark. This durable leather breaks in and gathers a gorgeous patina, bearing the marks of the users’ (and makers’) adventures – the very thing we’ve always celebrated! We’ve been using this leather for three years now and love it!
With the transition from using reclaimed WWII era gun straps for our leather handles to using locally-sourced vegetable-tanned leather, we are reaffirming the fellowship between ourselves and the materials with which we make. By creating beautiful and useful objects out of sustainable and responsibly sourced materials, we strive to change the way that we as individuals make, use, repair and reuse everyday objects. As our new bags leave our Philadelphia workshop and arrive at your doorsteps, what adventures will they see in your hands and how will they transform to become truly yours?
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Adjusting the Leather Straps on our Waxed Canvas Bags
Our bags are made with full-grain vegetable-tanned leather*, which is a dura...
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