Our Boys Document Creatures and Plants with their Specimen Card Notebooks!
Specimen Cards
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Our Pearl! |
Piplup is the last of our many chickens and guineas. She has somehow survived the many attacks of foxes, &c.
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At Home Exploration
We’ve returned home from Florida, where winter’s end, hormones, lawn talk, and chain stores wreaked havoc on my mood the first day. Fortunately, for myself and everyone around me, a walk around Wakodahatchee Wetlands quickly settled my inner chaos. Florida, like anywhere, can be so many things at once!
Back home, at the Five Acre Wood, Pearl and I awoke early to sunshine and went outside to visit all the plants’ changes during our weekend away. The three small Witch Hazel transplants survived: their tiny yellow flowers small and sparkly in the woodland. A few Squill, Hellebores, and Crocuses have flowered. Snowdrops have bloomed by the thousands, the snow drop math proving successful here though when I step back, the little clumps have a lot of multiplying to do before they change this comparatively expansive landscape! Even more Daffodils are about to burst, whilst Hepatica, Foam Flower, Geraniums, and other greenies have sent their distinct tops out of the soil and into the sun! A few years ago, I couldn’t have identified these plants by their flowers, and here I am, calling them by their names so soon. It feels magical, this ever-learning.
I’ve planted thousands of plants since we moved here five years ago. Some will take five years to bloom; others have already started on their journey, only to be destroyed by my rambunctious Pearl or over-eager deer families, hopping the fence when Pearl is elsewhere.
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Bamboo by Silas |
Virginia Bluebell by Søren
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It fits inside our Sendaks!
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Suggested Blog Posts
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Time moves. Spring has begun its magical decent into the five-acre wood. This is our sixth spring here, and I’ve been enjoying digging in the dirt nearly daily throughout the year, slowly moving through every inch of the land. Most of my work has been ungardening, which allows me to sweat and think and grow stronger. It is the gardening that I am afraid of — what to put where and how! I do not envision (I may not have this skill at all), I just move. But the land no longer wears its thorny drapery and untraversable barbed bushes, and when Pearl steps outside, she doesn’t return with dozens of ticks and sometimes she returns with none — a remarkable transformation!
Last winter, Amy, a gardener friend, shared some insight which has made the land this spring, not just an undoing project, but a transformative one for me, the pollinators, and the passers-by. Small spring ephemerals are blooming all around, though the deer and geese are munching them at an irritating pace.I remain anxiously aware of the summer explosion which will inevitably hide trees with height and abundance of both good and not so good plants. The burst leads to a dispiriting hiding of what I’ve begun. We have a long way to go here, but magic is alive! Earth day is every day, truly, but it is important to remember to celebrate, so here is my wishing you Happy Earth Day(s)!
May Apple Rhizome May Apple Plant! 
Søren’s May Apple Specimen Card Søren’s Jack-in-the-Pulpit Specimen Card! 
Jack-in-the-Pulpit Corm Jack-in-the-Pulpit Plant Plant Pirate! Flower Bandit!
I discovered an acre of Snowdrops and Winter Aconite when trees were cut down for another Wawa in the area, and filled my truck with plants. When I went back and tried 'the right" way, (I asked), the plants were destroyed within a week.
I know better than to ask. Why did I falter?Snowdrops and Winter Aconite at a new Wawa site.
Toots and Yedda have been returning to Pond Island for 6 years! We’ve seen them thrive and struggle year after year. So far, their 5 goslings are thriving — no catastrophes, but there is a coyote on the loose!
Søren’s Toots + Yedda Specimen Card Yedda and her Goslings 
Pearl, my love! She ran out into the darkness (was it the coyote?) with fervor — straight into the new wheelbarrow we left in the path. She is recovering, but I do wonder if the wheelbarrow saved her from a worse encounter.
My nursery, Bluebells and my studio, deer munched Dutch tulips, scented daffodils and the Peg and Awl barn in the background, and wood poppy!
Slow Transformations – A Rambling On about the Five Acre Wood
Time moves. Spring has begun its magical decent into the five-acre wood. Thi...
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The pileup is usually an effective way of moving us into high speed. We will open our barn doors tomorrow, for the first time, as a Peg and Awl storefront! It will also be filled with our art, which is most often squirreled away under our rounded bodies as we scribble, cut, or swish with whatever materials are at hand upon our pages.
Smudge and Other Pandemic Pages“If you like to write or draw or dance or sing, do it because it’s great: as long as we’re playing around like that, we don’t feel lonely, and our hearts warm up.”
–from The Woman Who Killed the Fish by Clarice LispectorI’ve been making books and filling them for as long as I can remember. The books pile up – a slow and steady drip of ink on paper that may someday push us out of our home. One of the gifts of the pandemic is a clear time frame. I’ve decided to go back into my journals – specifically, into the pandemic pages, to see what I could find. I found the patterns of our lives on repeat, everything obsessively documented as if we wouldn’t live without record of it. I found Pearl, and plants, grief and illness, disappearance and disappointment, homeschooling, camping, movement, and details so small I needed the quiet of a pandemic to experience them. It is a strange vocation, to be this kind of capturer of the quotidian.
“What is the conversation?” asks Claire, a few times. Conversation? I don’t know how to answer that. The conversation is on the pages, extracted from life, fragments rearranged, stories imagined, reimagined. Patterns, tatters. Is there ever an actual anything, or is everything imagined? There isn’t a conversation – there are infinite conversations and there are no conversations. It depends on who stands in front of what, and where. It depends on who is next to them. How engaged they are. How curious. It depends on what I say here, if anything, and whether you read it. Will you?
Just before the pandemic, I chose a word for the year, for 2020: The word was lightness. I wrote:
“My word for the year is lightness. I love this idea of finding a word to live alongside. So far, (so early but so far), it has freed me from the fear of not making the right marks. It has led me to say yes to a wintry adventure at the seashore where with wet knees and raisoned fingers, we searched for Cape May diamonds with the enthusiasm of children whilst the actual children played with drones, dipped their feet (and pants) into the frigid water, gathered a few specimens, and made their way back to the warm car. These are things that I love, but the weight of obligation and difference and the world’s expectations make it difficult to be so light. The more I forget this, the longer I sit. The longer I sit, the heavier I get – the weight of the dust settling upon me. Lightness. The word, my companion, reminds me to hover and to float – to move and to keep moving.”
It was the right choice, this word, and it came just in time.
From A Tear and A Seed A sneaky peek! 
The Things That I remember Are Not in These Photographs SMUDGE! Left-handed (non-dominant) hand drawings. 
A Tear and A Seed... drawings from a book I didn’t illustrate. A stack of my smudge journals! Our First Storefront!
“...the impeded stream is the one that sings.”
–from Our Real Work by Wendell BerryThe pileup is usually an effective way of moving us into high speed. We will open our barn doors tomorrow, for the first time, as a Peg and Awl storefront! It will also be filled with our art, which is most often squirreled away under our rounded bodies as we scribble, cut, or swish with whatever materials are at hand upon our pages.
We are still scrambling, but hope you come by and say hey! Email us for the address or find it at the Chester County Studio Tour website. Parking is limited – if ours is filled, park in the nearby neighborhood! If I have time, I’ll mow some roadside invasives for side-of-the-road parking.
Pouches! We have a new batch of A Rural Pen ink! 
Seaside Tote, Caddies, &c. Some of our Last Chance waxed canvas bags are in the storefront! 
New Prints from A Tear and A Seed (coming soon to our website, maybe...) We will stock our jewelry in this old treasure! Walter, Søren, and Silas!
We are still working and will share updates on Instagram!
Søren has been working on this gigantic map for months! Come see it in progress or on Instagram @sorenscoutkent
Silas has been working with Copic markers and recently has been drawing cars, an interest he shares with his Pop – his grandfather! Walter will be sharing portraits and landscapes in oil and pencil. He is still navigating his space! @pegandawlbuilt and @pegandawl
Everywhere, Astonishments!
The Chester County Studio Tour features 200 artists including one of my very favourite humans – Claire Rosen, at her home, Warwick Furnace Farm. Heidi, whom I trust I’ll meet in person someday, is another wondrous being whom I am grateful to know. This book is gorgeous. Her language, exploration, and connection to the earth has inspired me for years. Now, in book form, tis utter magic! County Studio Tour 2023 | Peg and Awl
Smudge and Other Pandemic Pages “If you like to write or draw or dance or s...
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And here we are, another major transition! We are selling our Philadelphia building and moving Peg and Awl to our barn.
We’re Moving Out of Philadelphia
...and it's bittersweet!We are very fortunate – as a family and small business owners – to be able to follow our curiosities to wherever they may lead. Here we find ourselves in another major transition! We – Walter and I, Søren and Silas too, have decided to sell the Peg and Awl building in Port Richmond Philadelphia, and move our business into our Barn here in Chester County, Penna. It felt like a quick decision, but it was the culmination of much quiet consideration. I have always been spontaneous – or so it seems – so much is accomplished in our sleep.
Yesterday was warm and wondrous. As I walked from Port Richmond to Old City for a last minute hair appointment at Barnet Fair, and to treasure hunt at Vagabond Boutique, I felt the weight of nostalgia for what we would soon be leaving, and a lightness too, as I imagined floating, for the first time in a while, into a new unknown.
Lights off – we were about to leave on Saturday but paused for a quick mirror family photograph! Our barn as seen from the woods! Some Things to Look Forward to in the Coming Year!
- New Website! We’ve been working on it for a long time – we don’t have a launch date yet, but soon!
- New Jewellery! If you’ve been following along on Instagram – you may have seen some glimpses of these projects over the past few years.
- New Of A Kind Adventures! (accompanied by more Flea Market adventures, read here!)
- Exciting Pivots!
We will have a smaller space for to make and to store treasures, which is why we are reducing our catalog to our favourites and yours!
The Foundlings (Peg and Awl) Building: Before and After
Read about the Shop Renovation Project, here!
We’ve put a lot of work into our workshop since we bought the dark and closed-up building in 2016 – from opening cinder-blocked windows and tearing down walls, to transforming the gravel and pavement into gardens. We built and set up a storefront (that we never officially opened) just before the pandemic. We poured concrete floors and filled the wide open space with an abundance of tools and machines and worked with our wonderous crew to design, make, and ship all of the treasures that we share around the world.
We look forward to the next adventure for Peg and Awl and, too, for the building! The dream is always for some magic makers to take the reins and re-imagine a better, brighter, greener, and cleaner corner of Philadelphia.
A lot happens through word of mouth — if you know someone who may be interested, please share!
After
Storefront, trees, plants, and windows!
Before
A lightless old space full of stuff.
After
Employee gardens and honey bees~Before
Concrete slab (though locals told us it was a wading pool in the summers and an ice hockey rink in the winters!)
After
A part of the woodshop!
During
Pouring the concrete floor.
During
Knocking down the in-between wall.
Before 
Renovations and the inhabiting of the nearly abandoned building in Port Richmond, Philadelphia.
The Barn: Our New ShopRead On: Our Barn Restoration Project
We will continue to make treasures in Philadelphia over the next few months. In May, we will be opening our new workspace to the public for a Studio Tour in May! There we will share our art, showroom, and the goings on of the new iteration of Peg and Awl.
This space will be a gallery and showroom.
Walter’s cozy loft studio will remain Walter’s cozy loft studio.
Our Barn Restoration ProjectRead On: Our Barn Restoration Project
“...By the time we had finished removing the rotted bits, the trusses, the rafters, and the floors, it was hard to say if we were reclaiming an old barn, or building a new one in its image. The barn shape – the space within the frame – became one of the few parts I could solidly say remained from the historic place. But over the next few weeks, as I observed the delicate skeleton of the old barn standing strong but precarious in the wind and rain – with day now inside and night inside too – I grew suspicious of this boundaryless thing I wanted to keep. What were we preserving, and more, why?”
The Old Barn from the road. 
Original wall that divides the two parts of the barn. Pearl and Søren, my loves. A new view! We’re Moving Out of Philadelphia, and It’s Bittersweet!
We’re Moving Out of Philadelphia...and it's bittersweet! We are very fortu...
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This Of a Kind launch was meant for last year, in Winter, but we got tangled in the decision we shared in our last newsletter (if you missed it, you can read here!) And so here we are, ending winter with an abundance of scrumptious old blacks and blues!
Excitingly, in the time between meant-to and are, we’ve added some fun extras, including gorgeous Handmade Ink by A Rural Pen, Tintype Journals, and Alternative Sketchbook Tins!
Each new Of a Kind collection allows us to dig around and find treasures within treasures. Every discovery holds a bit of the past, and the story and marks accumulated. They are a joy to put together and harken back to the best part of our origin story – the gathering of old things and the reimagining and reworking of them into once again useful objects.
We have a handful of One of a Kind Custom* Pouch Sizes – this one is made with an 1800s Quilt Block! We have a selection of Hand-Bound Tintype Journals in this collection – read more below!*Custom Pouch Size: We have 7 pouch sizes in our Peg and Awl catalog, but when we find a quilt block or scrap that is perfect as is, we make the pouch match its size!
Our Wintery 2023 Of a Kind Collection!This Of a Kind launch was meant for last year, in Winter, but we got tangled in the decision we shared in our last newsletter (if you missed it, you can read here!) And so here we are, ending winter with an abundance of scrumptious old blacks and blues!
Excitingly, in the time between meant-to and are, we’ve added some fun extras, including gorgeous Handmade Ink by A Rural Pen, Tintype Journals, and Alternative Sketchbook Tins!
Have a wander through our collection of bags and pouches made with homespun linen, quilt blocks, prints from the 1800s, feedsacks, and 1930s dressmakers cotton, along with some of our favourite scraps of scraps, with which we made a variety of littles. Some of the bags are made with our classic waxed canvas colours, and others with our Autumn colours — so many hoorahs!
Here we are, ending winter with an abundance of wintry blues when all I feel is colour!
A Rural Pen Handmade Ink!
View in our ShopThis ink is handmade, bottled, labeled, and waxed by alchemist Thos. Little of A Rural Pen. I was so enamored with the ink, and when I learned I couldn’t purchase a bottle directly, I decided to order some for all of us! The ink is made using a historic formula of extracting and dissolving the iron from guns with Sumac, instead of Galls. The ink goes on as a pale, smoky, cool grey, and quickly oxidizes on the page; the shade and depth varies depending on the paper used.
This ink is for dip pens only – it cannot be used in fountain pens.
Note: The ink is hand bottled, labeled, and waxed. Some bottles have a little leakage through the wax. When you use the ink, it will also get on the label so please accept this possibility, as we do not consider it a defect.
Handmade Ink by A Rural Pen Playing with the ink for the first time! 
Testing this magical ink – drawing paper (Left) and watercolor paper (Right)! Inky left-handed Witch Hazel – watch my drawing video, here! Crossbody Bags made with Vintage Textiles!
View in Our Shop
Standard Tote with Feedsack: Wylie Mini Tote with 1800s Homespun: Edward 
Small Hunter with 1800s Quilt Block: Astrid Heavy homespun linen blanket transformed into a Hunter Satchel lined with Truffle. 
I found two full bolts of this textile from the 1800s long ago. The width was 36" which was the width of the looms then. I've been savouring it, and we may have some small bits for bookbinding linens, but mostly, this is its last hoorah! Hunter Satchels are my favourite hiking and flea market bag — carry only what you need!
Pouches made with Vintage Textiles!
View in Our ShopWe’ve been finding so many gorgeous textiles at Flea Markets lately and have to tame the scale of each collection. We’ve transformed the gathering of patchwork and scrap into useful pouches, giving them new life.
These pouches are perfect for art supplies, make-up, and anything else that needs organizing in your bag or on your desk — they’re hard to be without and you can never have too many!
This feedsack was washed again and again until its printing faded to just a subtle reminder of days past. 
Custom Pouch with 1800s Quilt Block: Mackenzie Essentials Pouch with 1800s Dressmaker’s Fabric: Dolly 
We reserved some Elderberry before it sold out for this collection! Scribbler Pouch with 1800s Antique Cotton: Sinclair 
Keeper Pouch with 1930s Dressmaker’s Fabric: Delia Spender Pouch with Early 1900s Scrap Bundle: William 
Hand Stitched Custom Quilt Block – perfect for small things, fits inside our bags’ pockets! Saver Pouch with Early 1900s Scrap Bundle: Joanna Edgeworth Tin: Alternative Sketchbook!
View in Our ShopWe have 6 blue tins in stock – they are nearly 100 years old and have varying degrees of rust and marks of past lives. Each tin comes with 100 sheets of Strathmore drawing paper in celebration of the upcoming 100 Day Project, which begins on February 22.
My Non-Dominant Hand 100 Day Project from Last Year
We don’t have many of these tins, and we are always looking for more, but in the meantime – grab your favourite tin, cut your favourite paper and voila! Here is our short video on cutting your own paper.
Tintype Journals!
View in Our ShopRead More About Tin Types!
One of a kind tintype journals are back! The cover is black vegetable-tanned leather, and is paired with some of our favourite antique black and white textiles from the 1800s. Beneath oval frames we’ve set enduring portraits of nameless faces newly christened. The insides, as always, are made of hand-stitched Strathmore drawing paper and work wonderfully with a variety of drawing and writing materials.
Standard Tintype Journal: Noam Standard Tintype Journal: Gertrude 
Companion Tintype Journal: Shirley + Jasper Companion Tintype Journal: Ethel + Timmy
The Secret to a Good Flea (Market) Day is a Good Friend!
Sneak Peak into our Wintery 2023 Of a Kind Collection
Each new Of a Kind collection allows us to dig around and find treasures wit...
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We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
Video Transcript
Hello, everyone! I wanted to give you a little walkthrough of our Sendak Artist Roll. I've been seeing a lot of other people's video walkthroughs and it's been inspiring me to do the same.
Introduction
Here is my very well-loved and very well-used Sendak. This is the first "right one" that we made. We went through a lot of trial and error to get to this, so I want to show you what it has the potential to hold.
Supplies in my Sendak: Scissors and Glue (0:30)I always have glue with me because I do a lot of messy collage work, so I love to glue things and I also have scissors for that same reason. I use small scissors if I'm traveling anywhere where I'm getting on a plane, and I use big scissors if I'm just traveling in a car. Both sizes fit into the Sendak nicely. I tend to put the big scissors on an end, in one of the smaller pockets. The smaller scissors fit anywhere, it just depends what else I have in my Sendak.
The Pencil Pockets (0:55)
One of the most common requests that we get and one of the things that people tend to comment on is that these pencil pockets are too small for fountain pens. While that's true of this Kaweco cap (the bottom fits, the top doesn't), this vintage technical pen is pretty chunky, and I put it in there all the time. I carry two or three. You can see how it kind of draws the Sendak together, so ultimately there's going to be a little bit less room in other pockets. It's making other things more tight, but really, it's fine.
When the Sendak is new, the waxed canvas might be tight to even just fit a pencil, but as you use it, it breaks in and loosens up, and then it doesn't loosen any further – that's where it's going to stay. Once you use it more, you can easily fit two standard pencils or paintbrushes into each slot, so it's really not a too small slot once you break it in.
Supplies in my Sendak: Pencils (1:35)I love these beginners pencils that have really soft lead. I love making marks that are a little less particular than, for example, when I'm using my mechanical pencils (which I also love).
So, these are some of the supplies that I carry every day. I think where the variation comes in, is in which pencils I want, which softness levels, or if I want a water soluble pencil. I'll put the pencils together in this end pocket. It's important to note that the Blackwing fits in. This Blackwing pencil was sharpened once and it makes it a perfect fit. This one was never sharpened, and the eraser is worn down a bit, so it's just above that folding point (the Sendak measures 7.75″ tall at the folding point). The taller one will obviously still work, but I know these are awesome pencils that a lot of people have, so I wanted to show you that.
Supplies in my Sendak: Pens (2:15)
Another thing that I carry are dippy pens. I will put pen nibs into a tin. I love using antique tins to store pen nibs, and in this case, a kneaded eraser. These tins are great for little art supplies, and I just put them into the zipper pocket.
The Zipper Pocket (2:30)
In addition to the vintage tin, I put another regular eraser. When pencils get too small for the pencil pockets, then I'll put them in the zipper pocket. I also have some extra lead for my mechanical pencils, a pencil sharpener, and I often have a whitewash in there as well. You can fit a lot in this zipper pocket.
I like to not overstuff my Sendak so that it folds nicely. I really like it to fold up rather than to roll up, which happens when it is very stuffed.
The Interior Pockets (2:55)
We have 16 pen and pencil slots in the front, and then we have four pockets behind those. So these four are varying widths – you could see the width of the smaller ones that I use for scissors or pencils, which measure 2.5″ wide. The larger two measure 4.25″ wide. I use these two bigger pockets for sketchbooks.
We make these Landscape Orra Sketchbooks in our shop. We designed them to fit into both this Sendak and the Mini Sendak. They can also serve as a tool protector if you need it, for example, if I was putting in a dippy pen whose nib needed protecting, or paint brushes, that would be a great tool protector. We also sell acrylic tool protectors separately if you don't want to carry a Sketchbook or Painter's Palette.
The Iris Painter's Palette is another product that we make. It is for squeezing in tube paints, watercolors, or in this case, making your own paint and filling up these wells with homemade paint. This was made to fit in both the Classic Sendak and the Mini Sendak as well, in these large interior pockets.
I'm going to put my palette here, and these pens in the back here with some small scissors. I want to have another paint brush and then whatever colors I want to bring. Sometimes I get really organized and other times I just put stuff in. You don't have to be crazy overthinking this. It's just really supposed to hold what you need – what you need for the day, what you need for a week, what you need for a trip.
I also often have a bookbinding needle held in the top flap here, and I'll put some bookbinding thread here in the zipper pocket, in case I want to make a book. I'll also prepare by having folded paper here in these exterior pockets.
The Exterior Pockets (4:30)
These two outside pockets otherwise are great for random sized sketchbooks like this – this would have been one of those random ones that I made. I also love this tin. It's for 15 neocolors, but I've had it for years and I move pastels or other more delicate stuff into here that I don't want to crumble in the pen pockets. It's a really nice fit for these back pockets.
This is our Orra Portrait Sketchbook, which we made to fit into the Classic Sendak. We have three sizes of these sketchbooks – the Portrait, the Large Portrait, and the Landscape.
Closing the Sendak (5:00)
So when I fold up the Sendak – this one is pretty full with everything that I just stuffed into the outside pockets – but when I fold it up, I will hold everything down and pull down this top flap so that it folds nicely. Then I roll in the sides, starting with the zipper pocket, so that all the parts of my Sendak are where they should be. Then I just synch it closed with the leather strap and buckle.
I'd say this is pretty full – I have stuff in every pocket. In some instances, I have more than one thing in a pocket. There's still a lot of room on this leather strap. So that's it! This will fit nicely into my bag, and I've got what I need for a long time.
The Buckle Closure
Another question that we've had is about this buckle. This comes from a gun sling from maybe the forties, and it was intended to function exactly as we use it. We found that it just really holds the Sendak together nicely, and of course, we love incorporating old bits wherever we can, into whatever we make.
So there you have it! My Sendak, lovingly worn in and full of life.
Mentioned in this video:
From Our Shop:- The Classic Sendak Artist Roll
- The Sendak Mini Artist Roll
- Iris Painter’s Palette
- Landscape Orra Sketchbook
- Portrait Orra Sketchbook
- Acrylic Tool Protects (Out of Stock)
From Other Shops:- Blackwing Pencils
- Kaweco Pens
- Neocolor
- Vintage art supplies (dippy Pens, technical pens, tins) are from flea markets and sometimes eBay!
Related Blog Posts:
The Sendak Artist Roll: A Walkthrough Video
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you...
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We’ve simplified Søren's journaling card into a free downloadable PDF of Expedition Cards. He tested them out on our local hiking adventure from earlier this week to Harmony Hill. We are loving this new alternative journal format, and hope you do as well – document your expedition, and have fun!
I’ve been keeping a journal on and off since I was 12. Because of this, I thought it would be a simple and obvious thing to add this to my boys’ homeschool days, but neither Søren nor Silas shared my compulsion.
Søren’s journals were mostly uninspired lists of what we had done each day, but somewhere along the way, during camping trips and road trips – somewhere deep in the pandemic, Søren began to transform his task of journaling into something he was excited to do. Using Procreate on his iPad, he now creates his own alternative journal cards with personality-filled drawings, descriptions, and photographs!
It has been heartening to watch the evolution of his journaling practice, from bland journal pages to documented expeditions – completely Søren-ed and so shareable. We’ve simplified his card design into a free downloadable PDF! Søren tested the new card (on the spot!) with a local hiking adventure to Harmony Hill. We are loving this new alternative journal format, and hope you do as well!
As Søren flipped through his cards for my camera, he said, “It feels like I’m reliving all of this – even just glancing at each one." If the purpose of a journal is to create a ritual, to reflect and document, to build writing and observation skills, and to have a place to go, then Søren has fulfilled these expectations, and I am overjoyed with his finding his own way!
Søren’s Original Expedition Cards!
Photograph of Johnson’s Shut-Ins State Park. Revisiting our "Mexican Food" experience in the Ozarks with giggles. 
Our messy table in Missouri - this is how we know magic is being made! Søren sketching in his small Tome – okay, not everything is uninspired! 
My birthday treat! We visited Mark Twain’s boyhood home in Hannibal, MO and the cave that inspired some his work and childhood! How I love the re-reading! 
Walter is painting Mark Twain’s boyhood home with his Pochade Box— as always, attracting the curious! Søren, Silas, and Shep, matching(ish) Sendaks, shirts, and drinks! 
A brief telling of our trip to Chicago! Exploring Chicago, dreaming of being elsewhere... 
Always on the go with make-shift picnic table studios. Intuit Museum in Chicago featuring Henry Darger’s home studio and other outsider art! Expedition Cards by Søren Kent (Free Printable!)
I’ve been keeping a journal on and off since I was 12. Because of this, I th...
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Time moves. Spring has begun its magical decent into the five-acre wood. This is our sixth spring here, and I’ve been enjoying digging in the dirt nearly daily throughout the year, slowly moving through every inch of the land. Most of my work has been ungardening, which allows me to sweat and think and grow stronger. It is the gardening that I am afraid of — what to put where and how! I do not envision (I may not have this skill at all), I just move. But the land no longer wears its thorny drapery and untraversable barbed bushes, and when Pearl steps outside, she doesn’t return with dozens of ticks and sometimes she returns with none — a remarkable transformation!Last winter, Amy, a gardener friend, shared some insight which has made the land this spring, not just an undoing project, but a transformative one for me, the pollinators, and the passers-by. Small spring ephemerals are blooming all around, though the deer and geese are munching them at an irritating pace.
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May Apple Rhizome |
May Apple Plant! |
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Plant Pirate! Flower Bandit!
I discovered an acre of Snowdrops and Winter Aconite when trees were cut down for another Wawa in the area, and filled my truck with plants. When I went back and tried 'the right" way, (I asked), the plants were destroyed within a week.
I know better than to ask. Why did I falter?
Snowdrops and Winter Aconite at a new Wawa site.
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Toots and Yedda have been returning to Pond Island for 6 years! We’ve seen them thrive and struggle year after year. So far, their 5 goslings are thriving — no catastrophes, but there is a coyote on the loose!
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Pearl, my love! She ran out into the darkness (was it the coyote?) with fervor — straight into the new wheelbarrow we left in the path. She is recovering, but I do wonder if the wheelbarrow saved her from a worse encounter.
My nursery, Bluebells and my studio, deer munched Dutch tulips, scented daffodils and the Peg and Awl barn in the background, and wood poppy!
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Slow Transformations – A Rambling On about the Five Acre Wood
Time moves. Spring has begun its magical decent into the five-acre wood. Thi...
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The pileup is usually an effective way of moving us into high speed. We will open our barn doors tomorrow, for the first time, as a Peg and Awl storefront! It will also be filled with our art, which is most often squirreled away under our rounded bodies as we scribble, cut, or swish with whatever materials are at hand upon our pages.
Smudge and Other Pandemic Pages
“If you like to write or draw or dance or sing, do it because it’s great: as long as we’re playing around like that, we don’t feel lonely, and our hearts warm up.”
–from The Woman Who Killed the Fish by Clarice Lispector
I’ve been making books and filling them for as long as I can remember. The books pile up – a slow and steady drip of ink on paper that may someday push us out of our home. One of the gifts of the pandemic is a clear time frame. I’ve decided to go back into my journals – specifically, into the pandemic pages, to see what I could find. I found the patterns of our lives on repeat, everything obsessively documented as if we wouldn’t live without record of it. I found Pearl, and plants, grief and illness, disappearance and disappointment, homeschooling, camping, movement, and details so small I needed the quiet of a pandemic to experience them. It is a strange vocation, to be this kind of capturer of the quotidian.
“What is the conversation?” asks Claire, a few times. Conversation? I don’t know how to answer that. The conversation is on the pages, extracted from life, fragments rearranged, stories imagined, reimagined. Patterns, tatters. Is there ever an actual anything, or is everything imagined? There isn’t a conversation – there are infinite conversations and there are no conversations. It depends on who stands in front of what, and where. It depends on who is next to them. How engaged they are. How curious. It depends on what I say here, if anything, and whether you read it. Will you?
Just before the pandemic, I chose a word for the year, for 2020: The word was lightness. I wrote:
“My word for the year is lightness. I love this idea of finding a word to live alongside. So far, (so early but so far), it has freed me from the fear of not making the right marks. It has led me to say yes to a wintry adventure at the seashore where with wet knees and raisoned fingers, we searched for Cape May diamonds with the enthusiasm of children whilst the actual children played with drones, dipped their feet (and pants) into the frigid water, gathered a few specimens, and made their way back to the warm car. These are things that I love, but the weight of obligation and difference and the world’s expectations make it difficult to be so light. The more I forget this, the longer I sit. The longer I sit, the heavier I get – the weight of the dust settling upon me. Lightness. The word, my companion, reminds me to hover and to float – to move and to keep moving.”
It was the right choice, this word, and it came just in time.
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Our First Storefront!
“...the impeded stream is the one that sings.”
–from Our Real Work by Wendell Berry
The pileup is usually an effective way of moving us into high speed. We will open our barn doors tomorrow, for the first time, as a Peg and Awl storefront! It will also be filled with our art, which is most often squirreled away under our rounded bodies as we scribble, cut, or swish with whatever materials are at hand upon our pages.
We are still scrambling, but hope you come by and say hey! Email us for the address or find it at the Chester County Studio Tour website. Parking is limited – if ours is filled, park in the nearby neighborhood! If I have time, I’ll mow some roadside invasives for side-of-the-road parking.
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Walter, Søren, and Silas!
We are still working and will share updates on Instagram!
Søren has been working on this gigantic map for months! Come see it in progress or on Instagram @sorenscoutkent
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Everywhere, Astonishments!
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County Studio Tour 2023 | Peg and Awl
Smudge and Other Pandemic Pages “If you like to write or draw or dance or s...
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And here we are, another major transition! We are selling our Philadelphia building and moving Peg and Awl to our barn.
We’re Moving Out of Philadelphia
...and it's bittersweet!
We are very fortunate – as a family and small business owners – to be able to follow our curiosities to wherever they may lead. Here we find ourselves in another major transition! We – Walter and I, Søren and Silas too, have decided to sell the Peg and Awl building in Port Richmond Philadelphia, and move our business into our Barn here in Chester County, Penna. It felt like a quick decision, but it was the culmination of much quiet consideration. I have always been spontaneous – or so it seems – so much is accomplished in our sleep.
Yesterday was warm and wondrous. As I walked from Port Richmond to Old City for a last minute hair appointment at Barnet Fair, and to treasure hunt at Vagabond Boutique, I felt the weight of nostalgia for what we would soon be leaving, and a lightness too, as I imagined floating, for the first time in a while, into a new unknown.
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Some Things to Look Forward to in the Coming Year!
- New Website! We’ve been working on it for a long time – we don’t have a launch date yet, but soon!
- New Jewellery! If you’ve been following along on Instagram – you may have seen some glimpses of these projects over the past few years.
- New Of A Kind Adventures! (accompanied by more Flea Market adventures, read here!)
- Exciting Pivots!
The Foundlings (Peg and Awl) Building: Before and After
Read about the Shop Renovation Project, here!
We’ve put a lot of work into our workshop since we bought the dark and closed-up building in 2016 – from opening cinder-blocked windows and tearing down walls, to transforming the gravel and pavement into gardens. We built and set up a storefront (that we never officially opened) just before the pandemic. We poured concrete floors and filled the wide open space with an abundance of tools and machines and worked with our wonderous crew to design, make, and ship all of the treasures that we share around the world.
We look forward to the next adventure for Peg and Awl and, too, for the building! The dream is always for some magic makers to take the reins and re-imagine a better, brighter, greener, and cleaner corner of Philadelphia.
A lot happens through word of mouth — if you know someone who may be interested, please share!
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Storefront, trees, plants, and windows! |
A lightless old space full of stuff. |
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Employee gardens and honey bees~ |
Concrete slab (though locals told us it was a wading pool in the summers and an ice hockey rink in the winters!) |
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A part of the woodshop! |
Pouring the concrete floor. |
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Knocking down the in-between wall. |
Renovations and the inhabiting of the nearly abandoned building in Port Richmond, Philadelphia.
The Barn: Our New Shop
Read On: Our Barn Restoration Project
We will continue to make treasures in Philadelphia over the next few months. In May, we will be opening our new workspace to the public for a Studio Tour in May! There we will share our art, showroom, and the goings on of the new iteration of Peg and Awl.
This space will be a gallery and showroom.
Walter’s cozy loft studio will remain Walter’s cozy loft studio.
Our Barn Restoration Project
Read On: Our Barn Restoration Project
“...By the time we had finished removing the rotted bits, the trusses, the rafters, and the floors, it was hard to say if we were reclaiming an old barn, or building a new one in its image. The barn shape – the space within the frame – became one of the few parts I could solidly say remained from the historic place. But over the next few weeks, as I observed the delicate skeleton of the old barn standing strong but precarious in the wind and rain – with day now inside and night inside too – I grew suspicious of this boundaryless thing I wanted to keep. What were we preserving, and more, why?”
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We’re Moving Out of Philadelphia, and It’s Bittersweet!
We’re Moving Out of Philadelphia...and it's bittersweet! We are very fortu...
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This Of a Kind launch was meant for last year, in Winter, but we got tangled in the decision we shared in our last newsletter (if you missed it, you can read here!) And so here we are, ending winter with an abundance of scrumptious old blacks and blues!
Excitingly, in the time between meant-to and are, we’ve added some fun extras, including gorgeous Handmade Ink by A Rural Pen, Tintype Journals, and Alternative Sketchbook Tins!
Each new Of a Kind collection allows us to dig around and find treasures within treasures. Every discovery holds a bit of the past, and the story and marks accumulated. They are a joy to put together and harken back to the best part of our origin story – the gathering of old things and the reimagining and reworking of them into once again useful objects.
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We have a selection of Hand-Bound Tintype Journals in this collection – read more below!
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*Custom Pouch Size: We have 7 pouch sizes in our Peg and Awl catalog, but when we find a quilt block or scrap that is perfect as is, we make the pouch match its size!
Our Wintery 2023 Of a Kind Collection!
This Of a Kind launch was meant for last year, in Winter, but we got tangled in the decision we shared in our last newsletter (if you missed it, you can read here!) And so here we are, ending winter with an abundance of scrumptious old blacks and blues!
Excitingly, in the time between meant-to and are, we’ve added some fun extras, including gorgeous Handmade Ink by A Rural Pen, Tintype Journals, and Alternative Sketchbook Tins!
Have a wander through our collection of bags and pouches made with homespun linen, quilt blocks, prints from the 1800s, feedsacks, and 1930s dressmakers cotton, along with some of our favourite scraps of scraps, with which we made a variety of littles. Some of the bags are made with our classic waxed canvas colours, and others with our Autumn colours — so many hoorahs!
Here we are, ending winter with an abundance of wintry blues when all I feel is colour!
A Rural Pen Handmade Ink!
View in our Shop
This ink is handmade, bottled, labeled, and waxed by alchemist Thos. Little of A Rural Pen. I was so enamored with the ink, and when I learned I couldn’t purchase a bottle directly, I decided to order some for all of us! The ink is made using a historic formula of extracting and dissolving the iron from guns with Sumac, instead of Galls. The ink goes on as a pale, smoky, cool grey, and quickly oxidizes on the page; the shade and depth varies depending on the paper used.
This ink is for dip pens only – it cannot be used in fountain pens.
Note: The ink is hand bottled, labeled, and waxed. Some bottles have a little leakage through the wax. When you use the ink, it will also get on the label so please accept this possibility, as we do not consider it a defect.
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Crossbody Bags made with Vintage Textiles!
View in Our Shop
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Pouches made with Vintage Textiles!
View in Our Shop
We’ve been finding so many gorgeous textiles at Flea Markets lately and have to tame the scale of each collection. We’ve transformed the gathering of patchwork and scrap into useful pouches, giving them new life.
These pouches are perfect for art supplies, make-up, and anything else that needs organizing in your bag or on your desk — they’re hard to be without and you can never have too many!
This feedsack was washed again and again until its printing faded to just a subtle reminder of days past.
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Edgeworth Tin: Alternative Sketchbook!
View in Our Shop
We have 6 blue tins in stock – they are nearly 100 years old and have varying degrees of rust and marks of past lives. Each tin comes with 100 sheets of Strathmore drawing paper in celebration of the upcoming 100 Day Project, which begins on February 22.
My Non-Dominant Hand 100 Day Project from Last Year
We don’t have many of these tins, and we are always looking for more, but in the meantime – grab your favourite tin, cut your favourite paper and voila! Here is our short video on cutting your own paper.
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Tintype Journals!
View in Our Shop
Read More About Tin Types!
One of a kind tintype journals are back! The cover is black vegetable-tanned leather, and is paired with some of our favourite antique black and white textiles from the 1800s. Beneath oval frames we’ve set enduring portraits of nameless faces newly christened. The insides, as always, are made of hand-stitched Strathmore drawing paper and work wonderfully with a variety of drawing and writing materials.
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The Secret to a Good Flea (Market) Day is a Good Friend!
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Sneak Peak into our Wintery 2023 Of a Kind Collection
Each new Of a Kind collection allows us to dig around and find treasures wit...
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We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
Video Transcript
Hello, everyone! I wanted to give you a little walkthrough of our Sendak Artist Roll. I've been seeing a lot of other people's video walkthroughs and it's been inspiring me to do the same.
Introduction
Here is my very well-loved and very well-used Sendak. This is the first "right one" that we made. We went through a lot of trial and error to get to this, so I want to show you what it has the potential to hold.
Supplies in my Sendak: Scissors and Glue (0:30)
I always have glue with me because I do a lot of messy collage work, so I love to glue things and I also have scissors for that same reason. I use small scissors if I'm traveling anywhere where I'm getting on a plane, and I use big scissors if I'm just traveling in a car. Both sizes fit into the Sendak nicely. I tend to put the big scissors on an end, in one of the smaller pockets. The smaller scissors fit anywhere, it just depends what else I have in my Sendak.
The Pencil Pockets (0:55)
One of the most common requests that we get and one of the things that people tend to comment on is that these pencil pockets are too small for fountain pens. While that's true of this Kaweco cap (the bottom fits, the top doesn't), this vintage technical pen is pretty chunky, and I put it in there all the time. I carry two or three. You can see how it kind of draws the Sendak together, so ultimately there's going to be a little bit less room in other pockets. It's making other things more tight, but really, it's fine.
When the Sendak is new, the waxed canvas might be tight to even just fit a pencil, but as you use it, it breaks in and loosens up, and then it doesn't loosen any further – that's where it's going to stay. Once you use it more, you can easily fit two standard pencils or paintbrushes into each slot, so it's really not a too small slot once you break it in.
Supplies in my Sendak: Pencils (1:35)
I love these beginners pencils that have really soft lead. I love making marks that are a little less particular than, for example, when I'm using my mechanical pencils (which I also love).
So, these are some of the supplies that I carry every day. I think where the variation comes in, is in which pencils I want, which softness levels, or if I want a water soluble pencil. I'll put the pencils together in this end pocket. It's important to note that the Blackwing fits in. This Blackwing pencil was sharpened once and it makes it a perfect fit. This one was never sharpened, and the eraser is worn down a bit, so it's just above that folding point (the Sendak measures 7.75″ tall at the folding point). The taller one will obviously still work, but I know these are awesome pencils that a lot of people have, so I wanted to show you that.
Supplies in my Sendak: Pens (2:15)
Another thing that I carry are dippy pens. I will put pen nibs into a tin. I love using antique tins to store pen nibs, and in this case, a kneaded eraser. These tins are great for little art supplies, and I just put them into the zipper pocket.
The Zipper Pocket (2:30)
In addition to the vintage tin, I put another regular eraser. When pencils get too small for the pencil pockets, then I'll put them in the zipper pocket. I also have some extra lead for my mechanical pencils, a pencil sharpener, and I often have a whitewash in there as well. You can fit a lot in this zipper pocket.
I like to not overstuff my Sendak so that it folds nicely. I really like it to fold up rather than to roll up, which happens when it is very stuffed.
The Interior Pockets (2:55)
We have 16 pen and pencil slots in the front, and then we have four pockets behind those. So these four are varying widths – you could see the width of the smaller ones that I use for scissors or pencils, which measure 2.5″ wide. The larger two measure 4.25″ wide. I use these two bigger pockets for sketchbooks.
We make these Landscape Orra Sketchbooks in our shop. We designed them to fit into both this Sendak and the Mini Sendak. They can also serve as a tool protector if you need it, for example, if I was putting in a dippy pen whose nib needed protecting, or paint brushes, that would be a great tool protector. We also sell acrylic tool protectors separately if you don't want to carry a Sketchbook or Painter's Palette.
The Iris Painter's Palette is another product that we make. It is for squeezing in tube paints, watercolors, or in this case, making your own paint and filling up these wells with homemade paint. This was made to fit in both the Classic Sendak and the Mini Sendak as well, in these large interior pockets.
I'm going to put my palette here, and these pens in the back here with some small scissors. I want to have another paint brush and then whatever colors I want to bring. Sometimes I get really organized and other times I just put stuff in. You don't have to be crazy overthinking this. It's just really supposed to hold what you need – what you need for the day, what you need for a week, what you need for a trip.
I also often have a bookbinding needle held in the top flap here, and I'll put some bookbinding thread here in the zipper pocket, in case I want to make a book. I'll also prepare by having folded paper here in these exterior pockets.
The Exterior Pockets (4:30)
These two outside pockets otherwise are great for random sized sketchbooks like this – this would have been one of those random ones that I made. I also love this tin. It's for 15 neocolors, but I've had it for years and I move pastels or other more delicate stuff into here that I don't want to crumble in the pen pockets. It's a really nice fit for these back pockets.
This is our Orra Portrait Sketchbook, which we made to fit into the Classic Sendak. We have three sizes of these sketchbooks – the Portrait, the Large Portrait, and the Landscape.
Closing the Sendak (5:00)
So when I fold up the Sendak – this one is pretty full with everything that I just stuffed into the outside pockets – but when I fold it up, I will hold everything down and pull down this top flap so that it folds nicely. Then I roll in the sides, starting with the zipper pocket, so that all the parts of my Sendak are where they should be. Then I just synch it closed with the leather strap and buckle.
I'd say this is pretty full – I have stuff in every pocket. In some instances, I have more than one thing in a pocket. There's still a lot of room on this leather strap. So that's it! This will fit nicely into my bag, and I've got what I need for a long time.
The Buckle Closure
Another question that we've had is about this buckle. This comes from a gun sling from maybe the forties, and it was intended to function exactly as we use it. We found that it just really holds the Sendak together nicely, and of course, we love incorporating old bits wherever we can, into whatever we make.
So there you have it! My Sendak, lovingly worn in and full of life.
Mentioned in this video:
From Our Shop:
- The Classic Sendak Artist Roll
- The Sendak Mini Artist Roll
- Iris Painter’s Palette
- Landscape Orra Sketchbook
- Portrait Orra Sketchbook
- Acrylic Tool Protects (Out of Stock)
- Blackwing Pencils
- Kaweco Pens
- Neocolor
- Vintage art supplies (dippy Pens, technical pens, tins) are from flea markets and sometimes eBay!
Related Blog Posts:
The Sendak Artist Roll: A Walkthrough Video
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you...
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We’ve simplified Søren's journaling card into a free downloadable PDF of Expedition Cards. He tested them out on our local hiking adventure from earlier this week to Harmony Hill. We are loving this new alternative journal format, and hope you do as well – document your expedition, and have fun!
I’ve been keeping a journal on and off since I was 12. Because of this, I thought it would be a simple and obvious thing to add this to my boys’ homeschool days, but neither Søren nor Silas shared my compulsion.
Søren’s journals were mostly uninspired lists of what we had done each day, but somewhere along the way, during camping trips and road trips – somewhere deep in the pandemic, Søren began to transform his task of journaling into something he was excited to do. Using Procreate on his iPad, he now creates his own alternative journal cards with personality-filled drawings, descriptions, and photographs!
It has been heartening to watch the evolution of his journaling practice, from bland journal pages to documented expeditions – completely Søren-ed and so shareable. We’ve simplified his card design into a free downloadable PDF! Søren tested the new card (on the spot!) with a local hiking adventure to Harmony Hill. We are loving this new alternative journal format, and hope you do as well!
As Søren flipped through his cards for my camera, he said, “It feels like I’m reliving all of this – even just glancing at each one." If the purpose of a journal is to create a ritual, to reflect and document, to build writing and observation skills, and to have a place to go, then Søren has fulfilled these expectations, and I am overjoyed with his finding his own way!
Søren’s Original Expedition Cards!
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Expedition Cards by Søren Kent (Free Printable!)
I’ve been keeping a journal on and off since I was 12. Because of this, I th...
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