The Scout Plein Air Box Video Walkthrough
Chapters of The Scout Plein Air Box Video Walkthrough
0:00 Features of the Box
5:02 Setting Up the Box for Painting
11:12 Mounting on a Tripod (Walter uses one by Peak Design)
11:46 Filling the Paint Tubes
13:53 The Scout for Everyday Use
Suggested Blog Posts
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We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
Video Transcript
Hello, everyone! I wanted to give you a little walkthrough of our Sendak Artist Roll. I've been seeing a lot of other people's video walkthroughs and it's been inspiring me to do the same.
Introduction
Here is my very well-loved and very well-used Sendak. This is the first "right one" that we made. We went through a lot of trial and error to get to this, so I want to show you what it has the potential to hold.
Supplies in my Sendak: Scissors and Glue (0:30)I always have glue with me because I do a lot of messy collage work, so I love to glue things and I also have scissors for that same reason. I use small scissors if I'm traveling anywhere where I'm getting on a plane, and I use big scissors if I'm just traveling in a car. Both sizes fit into the Sendak nicely. I tend to put the big scissors on an end, in one of the smaller pockets. The smaller scissors fit anywhere, it just depends what else I have in my Sendak.
The Pencil Pockets (0:55)
One of the most common requests that we get and one of the things that people tend to comment on is that these pencil pockets are too small for fountain pens. While that's true of this Kaweco cap (the bottom fits, the top doesn't), this vintage technical pen is pretty chunky, and I put it in there all the time. I carry two or three. You can see how it kind of draws the Sendak together, so ultimately there's going to be a little bit less room in other pockets. It's making other things more tight, but really, it's fine.
When the Sendak is new, the waxed canvas might be tight to even just fit a pencil, but as you use it, it breaks in and loosens up, and then it doesn't loosen any further – that's where it's going to stay. Once you use it more, you can easily fit two standard pencils or paintbrushes into each slot, so it's really not a too small slot once you break it in.
Supplies in my Sendak: Pencils (1:35)I love these beginners pencils that have really soft lead. I love making marks that are a little less particular than, for example, when I'm using my mechanical pencils (which I also love).
So, these are some of the supplies that I carry every day. I think where the variation comes in, is in which pencils I want, which softness levels, or if I want a water soluble pencil. I'll put the pencils together in this end pocket. It's important to note that the Blackwing fits in. This Blackwing pencil was sharpened once and it makes it a perfect fit. This one was never sharpened, and the eraser is worn down a bit, so it's just above that folding point (the Sendak measures 7.75″ tall at the folding point). The taller one will obviously still work, but I know these are awesome pencils that a lot of people have, so I wanted to show you that.
Supplies in my Sendak: Pens (2:15)
Another thing that I carry are dippy pens. I will put pen nibs into a tin. I love using antique tins to store pen nibs, and in this case, a kneaded eraser. These tins are great for little art supplies, and I just put them into the zipper pocket.
The Zipper Pocket (2:30)
In addition to the vintage tin, I put another regular eraser. When pencils get too small for the pencil pockets, then I'll put them in the zipper pocket. I also have some extra lead for my mechanical pencils, a pencil sharpener, and I often have a whitewash in there as well. You can fit a lot in this zipper pocket.
I like to not overstuff my Sendak so that it folds nicely. I really like it to fold up rather than to roll up, which happens when it is very stuffed.
The Interior Pockets (2:55)
We have 16 pen and pencil slots in the front, and then we have four pockets behind those. So these four are varying widths – you could see the width of the smaller ones that I use for scissors or pencils, which measure 2.5″ wide. The larger two measure 4.25″ wide. I use these two bigger pockets for sketchbooks.
We make these Landscape Orra Sketchbooks in our shop. We designed them to fit into both this Sendak and the Mini Sendak. They can also serve as a tool protector if you need it, for example, if I was putting in a dippy pen whose nib needed protecting, or paint brushes, that would be a great tool protector. We also sell acrylic tool protectors separately if you don't want to carry a Sketchbook or Painter's Palette.
The Iris Painter's Palette is another product that we make. It is for squeezing in tube paints, watercolors, or in this case, making your own paint and filling up these wells with homemade paint. This was made to fit in both the Classic Sendak and the Mini Sendak as well, in these large interior pockets.
I'm going to put my palette here, and these pens in the back here with some small scissors. I want to have another paint brush and then whatever colors I want to bring. Sometimes I get really organized and other times I just put stuff in. You don't have to be crazy overthinking this. It's just really supposed to hold what you need – what you need for the day, what you need for a week, what you need for a trip.
I also often have a bookbinding needle held in the top flap here, and I'll put some bookbinding thread here in the zipper pocket, in case I want to make a book. I'll also prepare by having folded paper here in these exterior pockets.
The Exterior Pockets (4:30)
These two outside pockets otherwise are great for random sized sketchbooks like this – this would have been one of those random ones that I made. I also love this tin. It's for 15 neocolors, but I've had it for years and I move pastels or other more delicate stuff into here that I don't want to crumble in the pen pockets. It's a really nice fit for these back pockets.
This is our Orra Portrait Sketchbook, which we made to fit into the Classic Sendak. We have three sizes of these sketchbooks – the Portrait, the Large Portrait, and the Landscape.
Closing the Sendak (5:00)
So when I fold up the Sendak – this one is pretty full with everything that I just stuffed into the outside pockets – but when I fold it up, I will hold everything down and pull down this top flap so that it folds nicely. Then I roll in the sides, starting with the zipper pocket, so that all the parts of my Sendak are where they should be. Then I just synch it closed with the leather strap and buckle.
I'd say this is pretty full – I have stuff in every pocket. In some instances, I have more than one thing in a pocket. There's still a lot of room on this leather strap. So that's it! This will fit nicely into my bag, and I've got what I need for a long time.
The Buckle Closure
Another question that we've had is about this buckle. This comes from a gun sling from maybe the forties, and it was intended to function exactly as we use it. We found that it just really holds the Sendak together nicely, and of course, we love incorporating old bits wherever we can, into whatever we make.
So there you have it! My Sendak, lovingly worn in and full of life.
Mentioned in this video:
From Our Shop:- The Classic Sendak Artist Roll
- The Sendak Mini Artist Roll
- Iris Painter’s Palette
- Landscape Orra Sketchbook
- Portrait Orra Sketchbook
- Acrylic Tool Protects (Out of Stock)
From Other Shops:- Blackwing Pencils
- Kaweco Pens
- Neocolor
- Vintage art supplies (dippy Pens, technical pens, tins) are from flea markets and sometimes eBay!
Related Blog Posts:
The Sendak Artist Roll: A Walkthrough Video
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you...
Read The Post -
Watch the instructions on how to adjust and secure the leather straps on The Franklin Maker’s Apron. The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
Watch the instructions on how to adjust and secure the leather straps on The Franklin Maker’s Apron.
The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
How to Adjust the Straps on The Franklin Maker’s Apron
Watch the instructions on how to adjust and secure the leather straps on The ...
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One of the key steps to speed up the breaking in process of leather is to simply twist and roll the leather in your fingers. As you use your bag the leather will naturally soften and become much easier to maneuver. Whether you help it out, or simply use your bag, the breaking in process does not take long!!
*What is Vegetable Tanned Leather? Vegetable tanning is a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark.
Our bags are made with full-grain vegetable-tanned leather*, which is a durable leather that develops a lovely patina over time with continued use. It is thicker than conventional, chrome-tanned leather, which also lends it to be more stiff in the beginning. This video shows how to quickly soften the leather, as well as the proper steps for detaching and attaching the leather shoulder strap and front closure on our Peg and Awl bags.
One of the key steps to speed up the breaking in process of leather is to simply twist and roll the leather in your fingers. As you use your bag the leather will naturally soften and become much easier to maneuver. Whether you help it out, or simply use your bag, the breaking in process does not take long!!
*What is Vegetable Tanned Leather? Vegetable tanning is a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark.
Step 1: Detaching the Strap
*The leather is the most stiff when it is new. As you use it and work with it, it will soften.- Hold the button stud and pull the leather strap to bring the button stud into the leather slot.
- Firmly and slowly work the leather over the button stud. Take your time working with the leather as it softens.
Step 2: Attaching the Shoulder Strap-
Twist and roll the strap to soften the leather. It does not take long to break in.
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Press the leather slot over the button stud. Hold the stud and pull the leather strap to bring the stud into the hole.
Our Leather!
Our first bag – The Waxed Canvas Tote – which we finished with reclaimed military leather slings found at a flea market. Dusty and dull with years of neglect, the leather was unassuming. But with some hot soapy water, perseverance, and beeswax balm, we removed the layers to find stories told through the markings of days past. We were delighted! The usefulness of the leather sent us on a mission to scour flea markets and military shows for as many old slings as we could find. For years we used these relics to finish our bags – until there were no more to be found.
And so, a new mission was soon underway: the search for the right new leather. We began in the UK driving along long and winding roads through the English countryside to visit J&FJ Baker, a 500-year-old tannery. This experience and many subsequent conversations enriched our understanding of a leather world we had known nothing about.
While shipping leather from the UK turned out to be impractical, we left enlightened with the knowledge that there do exist a few companies who produce leather in a sustainable and responsible way. When we returned to America we found Wickett & Craig – only a stone’s throw from our shop in Philadelphia. Their vegetable tanning process is a slow, natural, and eco-friendly process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark. This durable leather breaks in and gathers a gorgeous patina, bearing the marks of the users’ (and makers’) adventures – the very thing we’ve always celebrated! We’ve been using this leather for three years now and love it!
With the transition from using reclaimed WWII era gun straps for our leather handles to using locally-sourced vegetable-tanned leather, we are reaffirming the fellowship between ourselves and the materials with which we make. By creating beautiful and useful objects out of sustainable and responsibly sourced materials, we strive to change the way that we as individuals make, use, repair and reuse everyday objects. As our new bags leave our Philadelphia workshop and arrive at your doorsteps, what adventures will they see in your hands and how will they transform to become truly yours?
Vegetable tanned leather is made with a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark. The more you use your bags and journals, the softer the leather will become. 
This durable leather breaks in and gathers a gorgeous patina, bearing the marks of the users’ (and makers’) adventures! Here, you can see the leather on Walter's Tote and Scout. As you use your bag the leather will naturally soften and become much easier to maneuver. 
We took out Hunter's out on an Amethyst dig! they got pretty dirty, so we turned the bags inside out, tapped out the dirt and wiped the inside with a sponge and put them in the sun to dry. Our Finch is my favourite bag - I carry mine nearly everyday. It holds my books, journal, water bottle, and other bits comfortably. Adjusting the Leather Straps on our Waxed Canvas Bags
Our bags are made with full-grain vegetable-tanned leather*, which is a dura...
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Specimen Cards and a Closer Look Around
Specimen Cards
I look forward to the coming weeks here, the hopeful explosion of plants! Until then, here are some Specimen Cards that Søren (15) and Silas (13) made for me for Christmas, which include a variety of plant friends and creature friends who share the land with us!See more of their work on Instagram: @sorenscoutkent and @koshooniart
We have Garter and Northern Water Snakes here... And a variety and abundance of frogs and toads! 
We also have a family of Painted Turtles! All of these creatures live by and in the untended to ponds. 
Our Pearl! Piplup is the last of our many chickens and guineas. She has somehow survived the many attacks of foxes, &c.At Home Exploration
We’ve returned home from Florida, where winter’s end, hormones, lawn talk, and chain stores wreaked havoc on my mood the first day. Fortunately, for myself and everyone around me, a walk around Wakodahatchee Wetlands quickly settled my inner chaos. Florida, like anywhere, can be so many things at once!
Back home, at the Five Acre Wood, Pearl and I awoke early to sunshine and went outside to visit all the plants’ changes during our weekend away. The three small Witch Hazel transplants survived: their tiny yellow flowers small and sparkly in the woodland. A few Squill, Hellebores, and Crocuses have flowered. Snowdrops have bloomed by the thousands, the snow drop math proving successful here though when I step back, the little clumps have a lot of multiplying to do before they change this comparatively expansive landscape! Even more Daffodils are about to burst, whilst Hepatica, Foam Flower, Geraniums, and other greenies have sent their distinct tops out of the soil and into the sun! A few years ago, I couldn’t have identified these plants by their flowers, and here I am, calling them by their names so soon. It feels magical, this ever-learning.
I’ve planted thousands of plants since we moved here five years ago. Some will take five years to bloom; others have already started on their journey, only to be destroyed by my rambunctious Pearl or over-eager deer families, hopping the fence when Pearl is elsewhere.
Snowdops by Silas Jack-in-the-Pulpit by Søren 
May Apple by Søren Daffodils (most abundant) by Silas 
Bamboo by Silas Virginia Bluebell by Søren* * *
Our Specimen Card Notebook! Story on the back! 
Some of the boys’ early drawings on the end pages! It fits inside our Sendaks!Our Boys Document Creatures and Plants with their Specimen Card Notebooks!
Specimen Cards I look forward to the coming weeks here, the hopeful explosio...
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This Of a Kind launch was meant for last year, in Winter, but we got tangled in the decision we shared in our last newsletter (if you missed it, you can read here!) And so here we are, ending winter with an abundance of scrumptious old blacks and blues!
Excitingly, in the time between meant-to and are, we’ve added some fun extras, including gorgeous Handmade Ink by A Rural Pen, Tintype Journals, and Alternative Sketchbook Tins!
Each new Of a Kind collection allows us to dig around and find treasures within treasures. Every discovery holds a bit of the past, and the story and marks accumulated. They are a joy to put together and harken back to the best part of our origin story – the gathering of old things and the reimagining and reworking of them into once again useful objects.
We have a handful of One of a Kind Custom* Pouch Sizes – this one is made with an 1800s Quilt Block! We have a selection of Hand-Bound Tintype Journals in this collection – read more below!*Custom Pouch Size: We have 7 pouch sizes in our Peg and Awl catalog, but when we find a quilt block or scrap that is perfect as is, we make the pouch match its size!
Our Wintery 2023 Of a Kind Collection!This Of a Kind launch was meant for last year, in Winter, but we got tangled in the decision we shared in our last newsletter (if you missed it, you can read here!) And so here we are, ending winter with an abundance of scrumptious old blacks and blues!
Excitingly, in the time between meant-to and are, we’ve added some fun extras, including gorgeous Handmade Ink by A Rural Pen, Tintype Journals, and Alternative Sketchbook Tins!
Have a wander through our collection of bags and pouches made with homespun linen, quilt blocks, prints from the 1800s, feedsacks, and 1930s dressmakers cotton, along with some of our favourite scraps of scraps, with which we made a variety of littles. Some of the bags are made with our classic waxed canvas colours, and others with our Autumn colours — so many hoorahs!
Here we are, ending winter with an abundance of wintry blues when all I feel is colour!
A Rural Pen Handmade Ink!
View in our ShopThis ink is handmade, bottled, labeled, and waxed by alchemist Thos. Little of A Rural Pen. I was so enamored with the ink, and when I learned I couldn’t purchase a bottle directly, I decided to order some for all of us! The ink is made using a historic formula of extracting and dissolving the iron from guns with Sumac, instead of Galls. The ink goes on as a pale, smoky, cool grey, and quickly oxidizes on the page; the shade and depth varies depending on the paper used.
This ink is for dip pens only – it cannot be used in fountain pens.
Note: The ink is hand bottled, labeled, and waxed. Some bottles have a little leakage through the wax. When you use the ink, it will also get on the label so please accept this possibility, as we do not consider it a defect.
Handmade Ink by A Rural Pen Playing with the ink for the first time! 
Testing this magical ink – drawing paper (Left) and watercolor paper (Right)! Inky left-handed Witch Hazel – watch my drawing video, here! Crossbody Bags made with Vintage Textiles!
View in Our Shop
Standard Tote with Feedsack: Wylie Mini Tote with 1800s Homespun: Edward 
Small Hunter with 1800s Quilt Block: Astrid Heavy homespun linen blanket transformed into a Hunter Satchel lined with Truffle. 
I found two full bolts of this textile from the 1800s long ago. The width was 36" which was the width of the looms then. I've been savouring it, and we may have some small bits for bookbinding linens, but mostly, this is its last hoorah! Hunter Satchels are my favourite hiking and flea market bag — carry only what you need!
Pouches made with Vintage Textiles!
View in Our ShopWe’ve been finding so many gorgeous textiles at Flea Markets lately and have to tame the scale of each collection. We’ve transformed the gathering of patchwork and scrap into useful pouches, giving them new life.
These pouches are perfect for art supplies, make-up, and anything else that needs organizing in your bag or on your desk — they’re hard to be without and you can never have too many!
This feedsack was washed again and again until its printing faded to just a subtle reminder of days past. 
Custom Pouch with 1800s Quilt Block: Mackenzie Essentials Pouch with 1800s Dressmaker’s Fabric: Dolly 
We reserved some Elderberry before it sold out for this collection! Scribbler Pouch with 1800s Antique Cotton: Sinclair 
Keeper Pouch with 1930s Dressmaker’s Fabric: Delia Spender Pouch with Early 1900s Scrap Bundle: William 
Hand Stitched Custom Quilt Block – perfect for small things, fits inside our bags’ pockets! Saver Pouch with Early 1900s Scrap Bundle: Joanna Edgeworth Tin: Alternative Sketchbook!
View in Our ShopWe have 6 blue tins in stock – they are nearly 100 years old and have varying degrees of rust and marks of past lives. Each tin comes with 100 sheets of Strathmore drawing paper in celebration of the upcoming 100 Day Project, which begins on February 22.
My Non-Dominant Hand 100 Day Project from Last Year
We don’t have many of these tins, and we are always looking for more, but in the meantime – grab your favourite tin, cut your favourite paper and voila! Here is our short video on cutting your own paper.
Tintype Journals!
View in Our ShopRead More About Tin Types!
One of a kind tintype journals are back! The cover is black vegetable-tanned leather, and is paired with some of our favourite antique black and white textiles from the 1800s. Beneath oval frames we’ve set enduring portraits of nameless faces newly christened. The insides, as always, are made of hand-stitched Strathmore drawing paper and work wonderfully with a variety of drawing and writing materials.
Standard Tintype Journal: Noam Standard Tintype Journal: Gertrude 
Companion Tintype Journal: Shirley + Jasper Companion Tintype Journal: Ethel + Timmy
The Secret to a Good Flea (Market) Day is a Good Friend!
Sneak Peak into our Wintery 2023 Of a Kind Collection
Each new Of a Kind collection allows us to dig around and find treasures wit...
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We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
Video Transcript
Hello, everyone! I wanted to give you a little walkthrough of our Sendak Artist Roll. I've been seeing a lot of other people's video walkthroughs and it's been inspiring me to do the same.
Introduction
Here is my very well-loved and very well-used Sendak. This is the first "right one" that we made. We went through a lot of trial and error to get to this, so I want to show you what it has the potential to hold.
Supplies in my Sendak: Scissors and Glue (0:30)I always have glue with me because I do a lot of messy collage work, so I love to glue things and I also have scissors for that same reason. I use small scissors if I'm traveling anywhere where I'm getting on a plane, and I use big scissors if I'm just traveling in a car. Both sizes fit into the Sendak nicely. I tend to put the big scissors on an end, in one of the smaller pockets. The smaller scissors fit anywhere, it just depends what else I have in my Sendak.
The Pencil Pockets (0:55)
One of the most common requests that we get and one of the things that people tend to comment on is that these pencil pockets are too small for fountain pens. While that's true of this Kaweco cap (the bottom fits, the top doesn't), this vintage technical pen is pretty chunky, and I put it in there all the time. I carry two or three. You can see how it kind of draws the Sendak together, so ultimately there's going to be a little bit less room in other pockets. It's making other things more tight, but really, it's fine.
When the Sendak is new, the waxed canvas might be tight to even just fit a pencil, but as you use it, it breaks in and loosens up, and then it doesn't loosen any further – that's where it's going to stay. Once you use it more, you can easily fit two standard pencils or paintbrushes into each slot, so it's really not a too small slot once you break it in.
Supplies in my Sendak: Pencils (1:35)I love these beginners pencils that have really soft lead. I love making marks that are a little less particular than, for example, when I'm using my mechanical pencils (which I also love).
So, these are some of the supplies that I carry every day. I think where the variation comes in, is in which pencils I want, which softness levels, or if I want a water soluble pencil. I'll put the pencils together in this end pocket. It's important to note that the Blackwing fits in. This Blackwing pencil was sharpened once and it makes it a perfect fit. This one was never sharpened, and the eraser is worn down a bit, so it's just above that folding point (the Sendak measures 7.75″ tall at the folding point). The taller one will obviously still work, but I know these are awesome pencils that a lot of people have, so I wanted to show you that.
Supplies in my Sendak: Pens (2:15)
Another thing that I carry are dippy pens. I will put pen nibs into a tin. I love using antique tins to store pen nibs, and in this case, a kneaded eraser. These tins are great for little art supplies, and I just put them into the zipper pocket.
The Zipper Pocket (2:30)
In addition to the vintage tin, I put another regular eraser. When pencils get too small for the pencil pockets, then I'll put them in the zipper pocket. I also have some extra lead for my mechanical pencils, a pencil sharpener, and I often have a whitewash in there as well. You can fit a lot in this zipper pocket.
I like to not overstuff my Sendak so that it folds nicely. I really like it to fold up rather than to roll up, which happens when it is very stuffed.
The Interior Pockets (2:55)
We have 16 pen and pencil slots in the front, and then we have four pockets behind those. So these four are varying widths – you could see the width of the smaller ones that I use for scissors or pencils, which measure 2.5″ wide. The larger two measure 4.25″ wide. I use these two bigger pockets for sketchbooks.
We make these Landscape Orra Sketchbooks in our shop. We designed them to fit into both this Sendak and the Mini Sendak. They can also serve as a tool protector if you need it, for example, if I was putting in a dippy pen whose nib needed protecting, or paint brushes, that would be a great tool protector. We also sell acrylic tool protectors separately if you don't want to carry a Sketchbook or Painter's Palette.
The Iris Painter's Palette is another product that we make. It is for squeezing in tube paints, watercolors, or in this case, making your own paint and filling up these wells with homemade paint. This was made to fit in both the Classic Sendak and the Mini Sendak as well, in these large interior pockets.
I'm going to put my palette here, and these pens in the back here with some small scissors. I want to have another paint brush and then whatever colors I want to bring. Sometimes I get really organized and other times I just put stuff in. You don't have to be crazy overthinking this. It's just really supposed to hold what you need – what you need for the day, what you need for a week, what you need for a trip.
I also often have a bookbinding needle held in the top flap here, and I'll put some bookbinding thread here in the zipper pocket, in case I want to make a book. I'll also prepare by having folded paper here in these exterior pockets.
The Exterior Pockets (4:30)
These two outside pockets otherwise are great for random sized sketchbooks like this – this would have been one of those random ones that I made. I also love this tin. It's for 15 neocolors, but I've had it for years and I move pastels or other more delicate stuff into here that I don't want to crumble in the pen pockets. It's a really nice fit for these back pockets.
This is our Orra Portrait Sketchbook, which we made to fit into the Classic Sendak. We have three sizes of these sketchbooks – the Portrait, the Large Portrait, and the Landscape.
Closing the Sendak (5:00)
So when I fold up the Sendak – this one is pretty full with everything that I just stuffed into the outside pockets – but when I fold it up, I will hold everything down and pull down this top flap so that it folds nicely. Then I roll in the sides, starting with the zipper pocket, so that all the parts of my Sendak are where they should be. Then I just synch it closed with the leather strap and buckle.
I'd say this is pretty full – I have stuff in every pocket. In some instances, I have more than one thing in a pocket. There's still a lot of room on this leather strap. So that's it! This will fit nicely into my bag, and I've got what I need for a long time.
The Buckle Closure
Another question that we've had is about this buckle. This comes from a gun sling from maybe the forties, and it was intended to function exactly as we use it. We found that it just really holds the Sendak together nicely, and of course, we love incorporating old bits wherever we can, into whatever we make.
So there you have it! My Sendak, lovingly worn in and full of life.
Mentioned in this video:
From Our Shop:- The Classic Sendak Artist Roll
- The Sendak Mini Artist Roll
- Iris Painter’s Palette
- Landscape Orra Sketchbook
- Portrait Orra Sketchbook
- Acrylic Tool Protects (Out of Stock)
From Other Shops:- Blackwing Pencils
- Kaweco Pens
- Neocolor
- Vintage art supplies (dippy Pens, technical pens, tins) are from flea markets and sometimes eBay!
Related Blog Posts:
The Sendak Artist Roll: A Walkthrough Video
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you...
Read The Post
Suggested Blog Posts
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
Video Transcript
Hello, everyone! I wanted to give you a little walkthrough of our Sendak Artist Roll. I've been seeing a lot of other people's video walkthroughs and it's been inspiring me to do the same.
Introduction
Here is my very well-loved and very well-used Sendak. This is the first "right one" that we made. We went through a lot of trial and error to get to this, so I want to show you what it has the potential to hold.
Supplies in my Sendak: Scissors and Glue (0:30)
I always have glue with me because I do a lot of messy collage work, so I love to glue things and I also have scissors for that same reason. I use small scissors if I'm traveling anywhere where I'm getting on a plane, and I use big scissors if I'm just traveling in a car. Both sizes fit into the Sendak nicely. I tend to put the big scissors on an end, in one of the smaller pockets. The smaller scissors fit anywhere, it just depends what else I have in my Sendak.
The Pencil Pockets (0:55)
One of the most common requests that we get and one of the things that people tend to comment on is that these pencil pockets are too small for fountain pens. While that's true of this Kaweco cap (the bottom fits, the top doesn't), this vintage technical pen is pretty chunky, and I put it in there all the time. I carry two or three. You can see how it kind of draws the Sendak together, so ultimately there's going to be a little bit less room in other pockets. It's making other things more tight, but really, it's fine.
When the Sendak is new, the waxed canvas might be tight to even just fit a pencil, but as you use it, it breaks in and loosens up, and then it doesn't loosen any further – that's where it's going to stay. Once you use it more, you can easily fit two standard pencils or paintbrushes into each slot, so it's really not a too small slot once you break it in.
Supplies in my Sendak: Pencils (1:35)
I love these beginners pencils that have really soft lead. I love making marks that are a little less particular than, for example, when I'm using my mechanical pencils (which I also love).
So, these are some of the supplies that I carry every day. I think where the variation comes in, is in which pencils I want, which softness levels, or if I want a water soluble pencil. I'll put the pencils together in this end pocket. It's important to note that the Blackwing fits in. This Blackwing pencil was sharpened once and it makes it a perfect fit. This one was never sharpened, and the eraser is worn down a bit, so it's just above that folding point (the Sendak measures 7.75″ tall at the folding point). The taller one will obviously still work, but I know these are awesome pencils that a lot of people have, so I wanted to show you that.
Supplies in my Sendak: Pens (2:15)
Another thing that I carry are dippy pens. I will put pen nibs into a tin. I love using antique tins to store pen nibs, and in this case, a kneaded eraser. These tins are great for little art supplies, and I just put them into the zipper pocket.
The Zipper Pocket (2:30)
In addition to the vintage tin, I put another regular eraser. When pencils get too small for the pencil pockets, then I'll put them in the zipper pocket. I also have some extra lead for my mechanical pencils, a pencil sharpener, and I often have a whitewash in there as well. You can fit a lot in this zipper pocket.
I like to not overstuff my Sendak so that it folds nicely. I really like it to fold up rather than to roll up, which happens when it is very stuffed.
The Interior Pockets (2:55)
We have 16 pen and pencil slots in the front, and then we have four pockets behind those. So these four are varying widths – you could see the width of the smaller ones that I use for scissors or pencils, which measure 2.5″ wide. The larger two measure 4.25″ wide. I use these two bigger pockets for sketchbooks.
We make these Landscape Orra Sketchbooks in our shop. We designed them to fit into both this Sendak and the Mini Sendak. They can also serve as a tool protector if you need it, for example, if I was putting in a dippy pen whose nib needed protecting, or paint brushes, that would be a great tool protector. We also sell acrylic tool protectors separately if you don't want to carry a Sketchbook or Painter's Palette.
The Iris Painter's Palette is another product that we make. It is for squeezing in tube paints, watercolors, or in this case, making your own paint and filling up these wells with homemade paint. This was made to fit in both the Classic Sendak and the Mini Sendak as well, in these large interior pockets.
I'm going to put my palette here, and these pens in the back here with some small scissors. I want to have another paint brush and then whatever colors I want to bring. Sometimes I get really organized and other times I just put stuff in. You don't have to be crazy overthinking this. It's just really supposed to hold what you need – what you need for the day, what you need for a week, what you need for a trip.
I also often have a bookbinding needle held in the top flap here, and I'll put some bookbinding thread here in the zipper pocket, in case I want to make a book. I'll also prepare by having folded paper here in these exterior pockets.
The Exterior Pockets (4:30)
These two outside pockets otherwise are great for random sized sketchbooks like this – this would have been one of those random ones that I made. I also love this tin. It's for 15 neocolors, but I've had it for years and I move pastels or other more delicate stuff into here that I don't want to crumble in the pen pockets. It's a really nice fit for these back pockets.
This is our Orra Portrait Sketchbook, which we made to fit into the Classic Sendak. We have three sizes of these sketchbooks – the Portrait, the Large Portrait, and the Landscape.
Closing the Sendak (5:00)
So when I fold up the Sendak – this one is pretty full with everything that I just stuffed into the outside pockets – but when I fold it up, I will hold everything down and pull down this top flap so that it folds nicely. Then I roll in the sides, starting with the zipper pocket, so that all the parts of my Sendak are where they should be. Then I just synch it closed with the leather strap and buckle.
I'd say this is pretty full – I have stuff in every pocket. In some instances, I have more than one thing in a pocket. There's still a lot of room on this leather strap. So that's it! This will fit nicely into my bag, and I've got what I need for a long time.
The Buckle Closure
Another question that we've had is about this buckle. This comes from a gun sling from maybe the forties, and it was intended to function exactly as we use it. We found that it just really holds the Sendak together nicely, and of course, we love incorporating old bits wherever we can, into whatever we make.
So there you have it! My Sendak, lovingly worn in and full of life.
Mentioned in this video:
From Our Shop:
- The Classic Sendak Artist Roll
- The Sendak Mini Artist Roll
- Iris Painter’s Palette
- Landscape Orra Sketchbook
- Portrait Orra Sketchbook
- Acrylic Tool Protects (Out of Stock)
- Blackwing Pencils
- Kaweco Pens
- Neocolor
- Vintage art supplies (dippy Pens, technical pens, tins) are from flea markets and sometimes eBay!
Related Blog Posts:
The Sendak Artist Roll: A Walkthrough Video
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you...
Read The Post
Watch the instructions on how to adjust and secure the leather straps on The Franklin Maker’s Apron. The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
Watch the instructions on how to adjust and secure the leather straps on The Franklin Maker’s Apron.
The Franklin is available in two sizes, and the suspender-style vegetable tanned leather straps and belt have multiple settings to comfortably fit a variety of statures. Once on, The Franklin Maker’s Apron becomes a part of you, bringing the perfect mix of order, utility, and aesthetics to the creative chaos of a maker’s daily routine!
How to Adjust the Straps on The Franklin Maker’s Apron
Watch the instructions on how to adjust and secure the leather straps on The ...
Read The Post
One of the key steps to speed up the breaking in process of leather is to simply twist and roll the leather in your fingers. As you use your bag the leather will naturally soften and become much easier to maneuver. Whether you help it out, or simply use your bag, the breaking in process does not take long!!
*What is Vegetable Tanned Leather? Vegetable tanning is a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark.
Our bags are made with full-grain vegetable-tanned leather*, which is a durable leather that develops a lovely patina over time with continued use. It is thicker than conventional, chrome-tanned leather, which also lends it to be more stiff in the beginning. This video shows how to quickly soften the leather, as well as the proper steps for detaching and attaching the leather shoulder strap and front closure on our Peg and Awl bags.
One of the key steps to speed up the breaking in process of leather is to simply twist and roll the leather in your fingers. As you use your bag the leather will naturally soften and become much easier to maneuver. Whether you help it out, or simply use your bag, the breaking in process does not take long!!
*What is Vegetable Tanned Leather? Vegetable tanning is a slow, natural, and sustainable process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark.
*The leather is the most stiff when it is new. As you use it and work with it, it will soften.
- Hold the button stud and pull the leather strap to bring the button stud into the leather slot.
- Firmly and slowly work the leather over the button stud. Take your time working with the leather as it softens.
Step 2: Attaching the Shoulder Strap
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Twist and roll the strap to soften the leather. It does not take long to break in.
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Press the leather slot over the button stud. Hold the stud and pull the leather strap to bring the stud into the hole.
Our Leather!
Our first bag – The Waxed Canvas Tote – which we finished with reclaimed military leather slings found at a flea market. Dusty and dull with years of neglect, the leather was unassuming. But with some hot soapy water, perseverance, and beeswax balm, we removed the layers to find stories told through the markings of days past. We were delighted! The usefulness of the leather sent us on a mission to scour flea markets and military shows for as many old slings as we could find. For years we used these relics to finish our bags – until there were no more to be found.
And so, a new mission was soon underway: the search for the right new leather. We began in the UK driving along long and winding roads through the English countryside to visit J&FJ Baker, a 500-year-old tannery. This experience and many subsequent conversations enriched our understanding of a leather world we had known nothing about.
While shipping leather from the UK turned out to be impractical, we left enlightened with the knowledge that there do exist a few companies who produce leather in a sustainable and responsible way. When we returned to America we found Wickett & Craig – only a stone’s throw from our shop in Philadelphia. Their vegetable tanning process is a slow, natural, and eco-friendly process of tanning raw hides with natural, biodegradable extracts derived entirely from vegetable sources such as tree bark. This durable leather breaks in and gathers a gorgeous patina, bearing the marks of the users’ (and makers’) adventures – the very thing we’ve always celebrated! We’ve been using this leather for three years now and love it!
With the transition from using reclaimed WWII era gun straps for our leather handles to using locally-sourced vegetable-tanned leather, we are reaffirming the fellowship between ourselves and the materials with which we make. By creating beautiful and useful objects out of sustainable and responsibly sourced materials, we strive to change the way that we as individuals make, use, repair and reuse everyday objects. As our new bags leave our Philadelphia workshop and arrive at your doorsteps, what adventures will they see in your hands and how will they transform to become truly yours?
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Adjusting the Leather Straps on our Waxed Canvas Bags
Our bags are made with full-grain vegetable-tanned leather*, which is a dura...
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Specimen Cards
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Our Pearl! |
Piplup is the last of our many chickens and guineas. She has somehow survived the many attacks of foxes, &c.
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At Home Exploration
We’ve returned home from Florida, where winter’s end, hormones, lawn talk, and chain stores wreaked havoc on my mood the first day. Fortunately, for myself and everyone around me, a walk around Wakodahatchee Wetlands quickly settled my inner chaos. Florida, like anywhere, can be so many things at once!
Back home, at the Five Acre Wood, Pearl and I awoke early to sunshine and went outside to visit all the plants’ changes during our weekend away. The three small Witch Hazel transplants survived: their tiny yellow flowers small and sparkly in the woodland. A few Squill, Hellebores, and Crocuses have flowered. Snowdrops have bloomed by the thousands, the snow drop math proving successful here though when I step back, the little clumps have a lot of multiplying to do before they change this comparatively expansive landscape! Even more Daffodils are about to burst, whilst Hepatica, Foam Flower, Geraniums, and other greenies have sent their distinct tops out of the soil and into the sun! A few years ago, I couldn’t have identified these plants by their flowers, and here I am, calling them by their names so soon. It feels magical, this ever-learning.
I’ve planted thousands of plants since we moved here five years ago. Some will take five years to bloom; others have already started on their journey, only to be destroyed by my rambunctious Pearl or over-eager deer families, hopping the fence when Pearl is elsewhere.
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Bamboo by Silas |
Virginia Bluebell by Søren
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It fits inside our Sendaks!
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Our Boys Document Creatures and Plants with their Specimen Card Notebooks!
Specimen Cards I look forward to the coming weeks here, the hopeful explosio...
Read The Post
This Of a Kind launch was meant for last year, in Winter, but we got tangled in the decision we shared in our last newsletter (if you missed it, you can read here!) And so here we are, ending winter with an abundance of scrumptious old blacks and blues!
Excitingly, in the time between meant-to and are, we’ve added some fun extras, including gorgeous Handmade Ink by A Rural Pen, Tintype Journals, and Alternative Sketchbook Tins!
Each new Of a Kind collection allows us to dig around and find treasures within treasures. Every discovery holds a bit of the past, and the story and marks accumulated. They are a joy to put together and harken back to the best part of our origin story – the gathering of old things and the reimagining and reworking of them into once again useful objects.
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We have a selection of Hand-Bound Tintype Journals in this collection – read more below!
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*Custom Pouch Size: We have 7 pouch sizes in our Peg and Awl catalog, but when we find a quilt block or scrap that is perfect as is, we make the pouch match its size!
Our Wintery 2023 Of a Kind Collection!
This Of a Kind launch was meant for last year, in Winter, but we got tangled in the decision we shared in our last newsletter (if you missed it, you can read here!) And so here we are, ending winter with an abundance of scrumptious old blacks and blues!
Excitingly, in the time between meant-to and are, we’ve added some fun extras, including gorgeous Handmade Ink by A Rural Pen, Tintype Journals, and Alternative Sketchbook Tins!
Have a wander through our collection of bags and pouches made with homespun linen, quilt blocks, prints from the 1800s, feedsacks, and 1930s dressmakers cotton, along with some of our favourite scraps of scraps, with which we made a variety of littles. Some of the bags are made with our classic waxed canvas colours, and others with our Autumn colours — so many hoorahs!
Here we are, ending winter with an abundance of wintry blues when all I feel is colour!
A Rural Pen Handmade Ink!
View in our Shop
This ink is handmade, bottled, labeled, and waxed by alchemist Thos. Little of A Rural Pen. I was so enamored with the ink, and when I learned I couldn’t purchase a bottle directly, I decided to order some for all of us! The ink is made using a historic formula of extracting and dissolving the iron from guns with Sumac, instead of Galls. The ink goes on as a pale, smoky, cool grey, and quickly oxidizes on the page; the shade and depth varies depending on the paper used.
This ink is for dip pens only – it cannot be used in fountain pens.
Note: The ink is hand bottled, labeled, and waxed. Some bottles have a little leakage through the wax. When you use the ink, it will also get on the label so please accept this possibility, as we do not consider it a defect.
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Crossbody Bags made with Vintage Textiles!
View in Our Shop
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Pouches made with Vintage Textiles!
View in Our Shop
We’ve been finding so many gorgeous textiles at Flea Markets lately and have to tame the scale of each collection. We’ve transformed the gathering of patchwork and scrap into useful pouches, giving them new life.
These pouches are perfect for art supplies, make-up, and anything else that needs organizing in your bag or on your desk — they’re hard to be without and you can never have too many!
This feedsack was washed again and again until its printing faded to just a subtle reminder of days past.
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Edgeworth Tin: Alternative Sketchbook!
View in Our Shop
We have 6 blue tins in stock – they are nearly 100 years old and have varying degrees of rust and marks of past lives. Each tin comes with 100 sheets of Strathmore drawing paper in celebration of the upcoming 100 Day Project, which begins on February 22.
My Non-Dominant Hand 100 Day Project from Last Year
We don’t have many of these tins, and we are always looking for more, but in the meantime – grab your favourite tin, cut your favourite paper and voila! Here is our short video on cutting your own paper.
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Tintype Journals!
View in Our Shop
Read More About Tin Types!
One of a kind tintype journals are back! The cover is black vegetable-tanned leather, and is paired with some of our favourite antique black and white textiles from the 1800s. Beneath oval frames we’ve set enduring portraits of nameless faces newly christened. The insides, as always, are made of hand-stitched Strathmore drawing paper and work wonderfully with a variety of drawing and writing materials.
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The Secret to a Good Flea (Market) Day is a Good Friend!
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Sneak Peak into our Wintery 2023 Of a Kind Collection
Each new Of a Kind collection allows us to dig around and find treasures wit...
Read The Post
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you!) and have made our own video to answer some questions and share our experience!
We are grateful for all the wonderful Sendak reviews, and for sharing videos and spreading the word!
Video Transcript
Hello, everyone! I wanted to give you a little walkthrough of our Sendak Artist Roll. I've been seeing a lot of other people's video walkthroughs and it's been inspiring me to do the same.
Introduction
Here is my very well-loved and very well-used Sendak. This is the first "right one" that we made. We went through a lot of trial and error to get to this, so I want to show you what it has the potential to hold.
Supplies in my Sendak: Scissors and Glue (0:30)
I always have glue with me because I do a lot of messy collage work, so I love to glue things and I also have scissors for that same reason. I use small scissors if I'm traveling anywhere where I'm getting on a plane, and I use big scissors if I'm just traveling in a car. Both sizes fit into the Sendak nicely. I tend to put the big scissors on an end, in one of the smaller pockets. The smaller scissors fit anywhere, it just depends what else I have in my Sendak.
The Pencil Pockets (0:55)
One of the most common requests that we get and one of the things that people tend to comment on is that these pencil pockets are too small for fountain pens. While that's true of this Kaweco cap (the bottom fits, the top doesn't), this vintage technical pen is pretty chunky, and I put it in there all the time. I carry two or three. You can see how it kind of draws the Sendak together, so ultimately there's going to be a little bit less room in other pockets. It's making other things more tight, but really, it's fine.
When the Sendak is new, the waxed canvas might be tight to even just fit a pencil, but as you use it, it breaks in and loosens up, and then it doesn't loosen any further – that's where it's going to stay. Once you use it more, you can easily fit two standard pencils or paintbrushes into each slot, so it's really not a too small slot once you break it in.
Supplies in my Sendak: Pencils (1:35)
I love these beginners pencils that have really soft lead. I love making marks that are a little less particular than, for example, when I'm using my mechanical pencils (which I also love).
So, these are some of the supplies that I carry every day. I think where the variation comes in, is in which pencils I want, which softness levels, or if I want a water soluble pencil. I'll put the pencils together in this end pocket. It's important to note that the Blackwing fits in. This Blackwing pencil was sharpened once and it makes it a perfect fit. This one was never sharpened, and the eraser is worn down a bit, so it's just above that folding point (the Sendak measures 7.75″ tall at the folding point). The taller one will obviously still work, but I know these are awesome pencils that a lot of people have, so I wanted to show you that.
Supplies in my Sendak: Pens (2:15)
Another thing that I carry are dippy pens. I will put pen nibs into a tin. I love using antique tins to store pen nibs, and in this case, a kneaded eraser. These tins are great for little art supplies, and I just put them into the zipper pocket.
The Zipper Pocket (2:30)
In addition to the vintage tin, I put another regular eraser. When pencils get too small for the pencil pockets, then I'll put them in the zipper pocket. I also have some extra lead for my mechanical pencils, a pencil sharpener, and I often have a whitewash in there as well. You can fit a lot in this zipper pocket.
I like to not overstuff my Sendak so that it folds nicely. I really like it to fold up rather than to roll up, which happens when it is very stuffed.
The Interior Pockets (2:55)
We have 16 pen and pencil slots in the front, and then we have four pockets behind those. So these four are varying widths – you could see the width of the smaller ones that I use for scissors or pencils, which measure 2.5″ wide. The larger two measure 4.25″ wide. I use these two bigger pockets for sketchbooks.
We make these Landscape Orra Sketchbooks in our shop. We designed them to fit into both this Sendak and the Mini Sendak. They can also serve as a tool protector if you need it, for example, if I was putting in a dippy pen whose nib needed protecting, or paint brushes, that would be a great tool protector. We also sell acrylic tool protectors separately if you don't want to carry a Sketchbook or Painter's Palette.
The Iris Painter's Palette is another product that we make. It is for squeezing in tube paints, watercolors, or in this case, making your own paint and filling up these wells with homemade paint. This was made to fit in both the Classic Sendak and the Mini Sendak as well, in these large interior pockets.
I'm going to put my palette here, and these pens in the back here with some small scissors. I want to have another paint brush and then whatever colors I want to bring. Sometimes I get really organized and other times I just put stuff in. You don't have to be crazy overthinking this. It's just really supposed to hold what you need – what you need for the day, what you need for a week, what you need for a trip.
I also often have a bookbinding needle held in the top flap here, and I'll put some bookbinding thread here in the zipper pocket, in case I want to make a book. I'll also prepare by having folded paper here in these exterior pockets.
The Exterior Pockets (4:30)
These two outside pockets otherwise are great for random sized sketchbooks like this – this would have been one of those random ones that I made. I also love this tin. It's for 15 neocolors, but I've had it for years and I move pastels or other more delicate stuff into here that I don't want to crumble in the pen pockets. It's a really nice fit for these back pockets.
This is our Orra Portrait Sketchbook, which we made to fit into the Classic Sendak. We have three sizes of these sketchbooks – the Portrait, the Large Portrait, and the Landscape.
Closing the Sendak (5:00)
So when I fold up the Sendak – this one is pretty full with everything that I just stuffed into the outside pockets – but when I fold it up, I will hold everything down and pull down this top flap so that it folds nicely. Then I roll in the sides, starting with the zipper pocket, so that all the parts of my Sendak are where they should be. Then I just synch it closed with the leather strap and buckle.
I'd say this is pretty full – I have stuff in every pocket. In some instances, I have more than one thing in a pocket. There's still a lot of room on this leather strap. So that's it! This will fit nicely into my bag, and I've got what I need for a long time.
The Buckle Closure
Another question that we've had is about this buckle. This comes from a gun sling from maybe the forties, and it was intended to function exactly as we use it. We found that it just really holds the Sendak together nicely, and of course, we love incorporating old bits wherever we can, into whatever we make.
So there you have it! My Sendak, lovingly worn in and full of life.
Mentioned in this video:
From Our Shop:
- The Classic Sendak Artist Roll
- The Sendak Mini Artist Roll
- Iris Painter’s Palette
- Landscape Orra Sketchbook
- Portrait Orra Sketchbook
- Acrylic Tool Protects (Out of Stock)
- Blackwing Pencils
- Kaweco Pens
- Neocolor
- Vintage art supplies (dippy Pens, technical pens, tins) are from flea markets and sometimes eBay!
Related Blog Posts:
The Sendak Artist Roll: A Walkthrough Video
We’ve watched all of the YouTube reviews of our Sendak Artist Roll (thank you...
Read The Post
Comments
Watercolor version is wonderful
September 17, 2022I received the Plein Air Box for my birthday and I choose the watercolor version. The mixing panel (and watercolor panel works very well). Having 2 water bottles – one for general use and one for cleaning brushes is very nice. There is room in the one drawer for my watercolor tubes… small and medium size watercolor tubes work well. Moreover, I do not limit my canvas to the one’s that come with the box. Landscapes canvases of small, mid size… are easy to attach and work with. I usually paint on 5½" x 8¼" or 3½" x 5½" landscape or 5½" x 5½" square… and they all fit well on the top of the box. The paint brushes off to the side is handy and easy to access. I use a tripod (one that I bought and use for photography and I did not need to buy a new ball…. the threads are standard and appear to work for all standard camera threaded tripods (I have a Sony camera, but Canon or Nikon cameras threaded tripods I suspect would be the same – uniform standard.). Quality is there and it feels so natural being out painting watercolor Plein Air. Thanks for crafting this gem. Paul F Mpls, MN.
Sondra
August 30, 2022Walter, can you share which colors you use for plein air painting?
Thanks!
Michelle McKendry
January 12, 2022Watching this video and hearing what you had to say about how it has encouraged you to learn to paint and paint more was a lovey bit of inspiration for myself to do the same. I can hardly wait for it to arrive and I can take it out and explore. Because I live in Canada, it is definitely going to take a bit of warmer weather to encourage me out of doors but I am eager to try!
Courtney
July 21, 2021Hi, this looks gorgeous. I was wondering about the easel. Obviously it’s designed for the one size board but assuming that you had an additional canvas box could it support other sizes of boards at all? Obviously nothing large, but I like to play with canvas orientation and dimensions and am a bit turned off by the one size fits all aspect, even though in every other respect it seems perfect. Thanks!!
Alice
August 30, 2020Hi Cindy, The Scout is absolutely beautiful and works for watercolours. I have a small watercolour travel kit that fits in the top drawer. You can also make one using an old altoid box. Buy empty half-pans, stick 3M magnetic tape on the bottom of the half pans and BOOM they fit in your altoid box. Fill the half pans from your favorite tubes of paint and away you go. 4”x 6” watercolor postcards are offered by several paper companies they fit in the drawers for the boards, along with the boards. Perfect, off you go! Enjoy!
Karen
August 20, 2020Where do you purchase your 4″×6″ panels?
Curious minds want to know.
Karen
August 20, 2020I am smitten with this little gem!!! I think I must treat myself to this very soon.
Julie Cottrell
August 13, 2020Walter, I think you have thought of everything! The little cup holders, paint brush holders, magnetic trays and cross body strap! It’s brilliant and beautiful! I ordered the walnut and can not wait to take it with me on Plein air adventures. Thank you for designing and getting this out so quickly after your trip.
Margaux Kent
August 03, 2020Cindy -
I have been using mine for gouache – I will take some photographs and share on Instagram!
Margaux Kent
August 03, 2020Jason – the paintings are on boards – these are the canvases or panels that we include with the box!